Monster Watch: Q - The WInged Serpent (1982)

Watched:  10/01/2022

Format:  Criterion Channel

Viewing:  First

Director:  Michael Cohen

I'd tried to watch Q: The Winged Serpent (1982) a number of times, going back as far as high school, but the lack of monster to minute ratio was daunting.  But with October upon us, and Criterion offering up a bevy of 1980's and vampire-based horror films (it *may* be your best bet, value-wise, this Halloween, after Shudder) I took a look at the list decided now was the time.

What a weird @#$%ing movie.

The entire look and feel of the movie is firmly in 1970's film-making.  By 1982, we're two years past Empire Strikes Back, and two years away from 1984, which is pretty much where you can lock in Gen X's idea of modern movie-going, and this movie looks and feels like it should be 1974.  The effects are a reminder of how dodgy stop action could be if work wasn't coming out of ILM.  The characters are stock 1970's characters - a world weary cop in a grungy NYC police precinct and a ne'er-do-well living outside the confines of square life who also has an artistic side and troubles with his woman.  New York is filmed as an unglamorous city in decline.  Every conversation turns into a stylized argument straight out of 1970's acting school.

About half-way through the movie, I began to believe I'd misunderstood what the movie was, really.  For a hot minute, I thought the monster of the film was going to be inconsequential and we were really getting a character study of a cop delving into stuff beyond him on one side and, really, the way government and power work in a crisis through the lens of the Michael Moriarty story as a crook and hustler tries to exploit his knowledge during a crisis.  But, nope, it's a big, goofy monster movie with some deeply 1970's vibes and an ending that feels hopelessly tacked on for the kiddies who showed up for a monster and cop movie.  

My understanding is that Moriarty's role (which now feels like he reached into the future and channeled Bill Burr) is what people grab onto and why the film has such a high reviewer rating.  And they're not wrong.  He's great.  Candy Clark is in one of those thankless but terrific "gotta support my man" parts from the 1970's that seems far closer to gender dynamics of the 1950's than the 1990s.  David Carradine is a solid actor, but I'm sure if he knew what Moriarty was up to, he wouldn't have gone for "Crusty Hero Cop #8974".  

Most weird is that the film, about a Mayan diety, features no Latinos as near as I can tell.  In NYC.  Nor does it ever really explain how people were volunteering to be human sacrifices or why.  The chief murder-priest isn't played by anyone with a Central American heritage - he's from Bombay.  And I'm not sure if he's supposed to be from India or he's supposed to pass for Hispanic?  I know Hollywood has a fraught relationship with Latinos but this is just wild.  

There's a great movie buried in here, and so it's a good and entertaining movie, but one that feels like it has studio notes all over it to the detriment of the film.

I'm glad I finally saw it.  I might watch it again.  But - for me - the whole is not greater than the sum of the parts.

Holiday Horror Watch: Wolf of Snow Hollow (2020)

Watched:  12/5/2021

Format:  Amazon

Viewing:  First

Decade:  2020's

Director:  Jim Cummings

I'm going to have to check out Jim Cummings' other stuff, because he's apparently his own one-man force within the film industry.  I recognize him, but not as a lead - but he wrote, directed and starred in Wolf of Snow Hollow (2020), which is something people really don't do anymore.  That era of auteurism has kind of gone the way of the dodo.

Released under the revived Orion films banner (and, my god, was it good to see that logo spin out in front of a movie again) - it's also nice to see genre indie distributors out there trying for something a bit different, and this film is a reminder of the positive results you can get from a single person with their hands on the wheel of a movie.  Because Wolf of Snow Hollow (2020) is arguably about a small-town cop relentlessly chasing down a killer werewolf despite the fact that is absolutely the plot of the film.  And this is where people might mistakenly say "it's good for a horror film" - but we don't say that at this blog.  

I think sometimes why reviewers might make that statement is that they want something more out of their movie than a monster murdering people and eventually being killed in return.  I mean, *fair enough*.  

Halloween Watch Party: Creature from the Black Lagoon (1954)

Watched:  10/29/2021

Format:  Amazon Watch Party

Viewing:  Unknown

Decade:  1950's

Director:  Jack Arnold

My goal for the Hallow-Scream Watch Parties was to watch some of the classic monster films with folks who hadn't seen them.  And:  mission accomplished.  

I think Creature From the Black Lagoon (1954) is a fantastic movie.  I've also seen it, like, 15 times, so I don't mind talking over it, giving it some light ribbing, and generally making it fun for people who might not otherwise watch the film.  

Anyway - I think it was more or less a success this year, so I'll look into it next year, too.  We didn't watch some classics like The Invisible Man, which absolutely demand a viewing.  And maybe Hammer?  I mean, people need to see Cushing and Lee fighting on a table.

But Creatch is a good one to end on.  It's really good, but feels a lot more like modern film.  Or, at least for those of us born 20 years after it came out, we have some perspective on what this was pointing to.  Especially as many of us are more than familiar with B-film.  And, man, it's such a pretty and well-designed film.  

Hallow-Scream Watch Party: The Wolf Man (1941)

Watched:  10/22/2021

Format:  Amazon Watch Party

Viewing:  Unknown

Decade:  1940's

Director:  George Waggner

Well, I've seen this one a lot, and we talked about it last year on the podcast.  

What I noticed this time was that Maleva, the gypsy woman, has a speech of her own as she bids farewell to first Bela, and then Larry after they've been killed and freed from the curse.  

The way you walked was thorny, through no fault of your own, but as the rain enters the soil, the river enters the sea, so tears run to a predestined end.

It's funny - I've seen this movie a lot, and I've listened to a bit about it on commentary tracks and read about it online, and I don't recall anyone calling this out.  Maybe they did.  Everyone gets hung up on the usual rhyme,* but folks tend not to focus on Maleva's farewell, bridging worlds for the cursed and absolving them, I suppose.

One wonders exactly how many werewolves she's had to deal with.

Here's last year's podcast.

The Signal Watch PodCast · 122: "The Wolf Man" (1941) "Curse of the Werewolf" (1961) Halloween 2020 w/ SimonUK & Ryan

*A few times in the film, we hear:  

Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.

PODCAST: "Son of Frankenstein" (1939) and "Son of Dracula" (1943) - Halloween 2021 - Horror Sequels w/ SimonUK and Ryan

Watched:  09/06/2021

Format:  BluRay

Viewing:  a whole lot

Decade:  1930's and 1940's

Director:  Rowland V. Lee and Robert Siodmak (I KNOW)

For more ways to listen

We check in on the boys and see what the kids are up to! One back in the old family villa and the other heading to Louisiana for some jambalaya, we assume. Two franchises rise yet again, stitched together from ideas new and old as we look at the third in the series for each, and sink their teeth into familiar tropes as well as all new stories and characters!

The Signal Watch PodCast · 166: "Son of Frankenstein" (1939) & "Son of Dracula" (1943) - Halloween 2021 - w/ SimonUK & Ryan

Music:

Son of Dracula Theme - Hans J. Salter Orchestra

Son of Frankenstein Theme - Frank Skinner

Halloween 2021

The Signal Watch PodCast · Halloween 2021 - Horror Sequels

80's Hallow-Horror Watch: CHUD (1984)

Watched:  10/09/2021

Format:  Amazon Streaming

Viewing:  First

Decade:  1980's

Director:  

Uh.  

This was not great.  You can read my tweet-thread as the movie unspooled here:  

Watching CHUD for the first time. A thread.

— The Signal Watch (@melbotis) October 10, 2021

It's a not-great film that doesn't understand how cheap horror movies are supposed to work, or movies in general, and is weirdly pretentious.  Which, frankly, if you told me yesterday that CHUD (1984) has lots of scenes that feel like they're improvised by a couple of actors who've been taking a lot of classes, and it will all be treated with deadly seriousness: I would not have believed you.  But here we are.

All of that stuff, by the way, is fine:  if any of it lands.  Or the movie is earning it.  Or the writing doesn't get away from the movie.  But at the end of the day, this is a movie about Morlocks eating people, and for some reason we spend 1/3rd of the movie in an unrelated story about John Heard's career and his relationship.  None of which is CHUD-related.  Or particularly good.  

By far the weirdest are the extended scenes between Daniel Stern and Christopher Curry, where both are intent on playing unhinged and angry.  And the scenes just. keep. happening.  Both in length and frequency.

In theory the movie is about NYC having a problem with Carnivorous Humanoid Underground Dwellers, but it's also about a soup kitchen, the plight of the homeless, a career change that's really impacting a marriage that might be on the rocks, and a cop who seems really stressed out because his wife disappeared, but he fails to mention this as a problem until the second half of the film.

Also, the willing belief that nuclear waste was disposed of beneath NYC when it would literally be easier to put it on a boat and float it out 20 miles and dump it.

Maybe the WEIRDEST moment of the movie was when we saw a scene that I now believe James Cameron must have ripped off for Aliens where people with flamethrowers go down into the tunnels with a video camera  while their bosses watch them on monitors.  That's gonna sit with me a while.

Hammer-Ween Watch: The Curse of the Mummy's Tomb (1964)

Watched:  10/09/2021

Format:  BluRay

Viewing:  First

Decade:  1960's

Director:  Michael Carreras

Hammer Horror!  That eventually gets scary!  If you really wait.

This first Mummy movie from Hammer is awesome, and so I figured even a xerox of a xerox would be fine.  And, it is.  

Mummy is dug up, Egyptians are actually okay with it  - sort of - except for killing the one British guy.  But then a big, dumb American showman (Fred Clark, who was in *everything* for like 20 years) decides that instead of taking it to the British Museum, they should take it on the road.  

Anyway, there's a whole lot of plot, and the leading lady seems like she's written by someone who really had some trouble with their last girlfriend, taking the usual 1960's Hammer misogyny to cool new levels.  The reason the Mummy shows up and the motivation of those bringing him back is all-new.  But we do get some decent Mummy-Terminator action.

For once, the Egyptians are given the benefit of the doubt - they're not the ones setting things in motion - at least not the official Egyptian government.  They're not thrilled Fred Clark is going to tour their dead pharaoh around Wisconsin, but aside from that...  

Anyhoo.  It's fine.  It's not my favorite, but it was a fun Hammer watch.

Halloween Interaction Watch: Frankenstein (1932)

Watched:  10/08/2021

Format:  Amazon Watch Party

Viewing:  Unknown

Decade:  1930's

Director:  James Whale

My friend, I am not writing up Frankenstein again.  Here's all the stuff about Frankenstein on this blog.

Here's SimonUK and me talking about the film during last year's Halloween podcast.

The Signal Watch PodCast · 121: "Frankenstein" (1931) "Bride of" (1935) "Curse of" (1957) Halloween 2020 w/ SimonUK & Ryan

Action-Ween Watch: Blade (1998)

Watched:  10/07/2021

Format:  HBOmax, I think

Viewing:  Fourth?  5th?

Decade:  1990's

Director:  Stephen Norrington

So.

I saw Blade (1998) the first time in a theater full of people who had apparently had a LOT of sugar.  It was one of the theaters in town at the time where there was a higher than likely chance people would talk at the screen, and that was fine by me for a movie about Wesley Snipes killing 90's sexy vampires.  

Mostly I remember at the end of the opening sequence, the place went crazy.  Like after a killer guitar solo at a concert.  I mean - Traci Lords at a rave as a vampire and then blood sprinklers at the drop, followed by Blade tearing the place up?  Yes sir.  

I was never really able to separate the fun I had watching the film from whether the film was actually "good", but sometimes a movie is "good" because you had a great time watching it.

Halloween Watch Party: Dracula (1931)

 

Watched:  10/01/2021

Format:  Amazon Watch Party

Viewing: Unknown!

Decade:  1930's

Director:  Todd Browning

My friends, I have written and spoken more on Dracula than makes sense.  It was super fun talking with people over the movie on Friday night, tho.  Hope everyone had a spooky good time!

Friday Hallow-Scream Watch Party: DRACULA (1931)

This Friday we kick off our Universal Monsters Hallow-Scream Watch Party 

Join us as we watch one of the movies that launched a movement!  It's not the first, or even the best, but it's certainly one that was a MONSTER hit and solidified Dracula as a pop culture figure for a century to come.  

Come find out what movies, plays, cartoons and candy mascots have been ripping off for 90 years!  Behold:  spooky armadillos, rubber bats, boring virgins, terrific cinematography and Dwight Frye just freaking out the squares.

Day:  Friday, October 1

Time:  8:30 Central, 6:30 Pacific

Format:  Amazon Watch Party

Cost:  $4.00

LINK HERE TO JOIN US

Our Schedule:  

8:30 PM Central/ 6:30 Pacific for all shows!

October 1 -   Dracula (1931)

October  8 -  Frankenstein (1932)

October 15 - Bride of Frankenstein (1935)

October 22 - The Wolfman (1941)

October 29 - Creature from the Black Lagoon (1954)

Unrelated:  Horror podcast episodes!

The Universal Monsters Hallow-Scream Watch Party series is meant to be a casual good-time as we check out the run of horror movies that started with Dracula and have become staples of culture the world over!  Everyone knows what these monsters look and act like, but it's probable most people haven't ever actually seen the movies they're in!  So, come watch!  

Starting just two years after the silent era, these movies quickly became the blockbusters of their day, bringing strange ideas most people hadn't considered, wild visuals, and complicated creatures to the screen.  And, ever since, studios have been looking to recapture this particular lightning in a bottle.

We think you'll enjoy watching along and checking out the creepfest that is Universal Horror!

Sneaky Snake Watch: Anaconda (1998)

This is an infograph of how much you'll care about each character

Watched:  09/10/2021

Format:  Amazon Watch Party

Viewing:  Second or third

Decade:  1990's

Director:  Some guy

I dunno.  It's a movie about people heading up the Amazon to find a lost tribe who come upon a snake that is huge and doesn't act like a snake at all.  It has JLo and Ice Cube.  So, how bad can it be?

I saw this one opening week in the theater, and what really stuck with me over the years was that Jon Voight is in it, and it made me realize very famous actors can make hilariously bad choices.  And every instinct Voight has in this movie is... so bad it's good.  Paraguayan accent?  Check.  Constant scowl?  Absolutely.  

I am sure there's some conversation that occurred that said "well, Voight's character is the REAL anaconda!  He's the one who sneaks up on you and surprises you with the kill!"  But that's kind of dumb and not right.

Phenomenal Movie Watch: Gremlins 2 - The New Batch (1990)

Watched:  05/31/2021

Format:  HBOmax

Viewing:  Oh, god.  Who knows...

Decade:  1990's

Director:  Joe Dante

Surely I've talked about Gremlins 2: The New Batch (1990) before.  Or should podcast on it.  

But, yes, I know you all love Gremlins, but this is the better movie by a country mile.  I'm not sure I much more than generally like Gremlins,* but Gremlins 2 is an amazing film on every level.  Not the least of which is a Haviland Morris level (I'm not sure we're supposed to say that out loud, but here you, me and 15-year-old-me are).  

Anyway, Gremlins 2 does not give a @#$%, and you should rewatch it sometime.

*it's fine.  I like watching it every once in a while.

Watch Party Watch: Yog - Monster from Space/ The Space Amoeba (1970)

Watched:  04/19/2021

Format:  Amazon Watch Party

Viewing:  First

Decade:  1970's

Director:  Ishirō Honda

This movie is not about an amoeba from space.  

I don't remember anyone calling the thing that does show up "Yog".  

It is about a sort of pile of glowing animated dots from space.  But that's not really an amoeba, is it, movie?

The blob of lights keeps infesting local beach creatures which turns them into rampaging kaiju, which creates a hard time for our friends who want to build a hotel on a remote island.  

Anyway, it's a lot of quality nonsense.  

PODCAST: "Godzilla vs Kong" (2021) - Kaiju Throwdown! Stuart and Ryan talk Monsterverse!

 

Watched:  03/31/2021
Format:  HBOmax

Viewing:  First

Decade:  2020's

Director:  Adam Wingard

More ways to listen

Ape V Lizard! Who will win? You, the audience. Stuart and Ryan have a monster of a conversation about the latest installment in the Godzilla and Kong franchises! It's a podcast of epic proportions as we talk about how we got here, what's worked, what hasn't, and head right for the center of the matter. Stop monkeying around and join us as we go nuclear on the most important film you'll see about an axe wielding ape this year!

The Signal Watch PodCast · 143: "Godzilla Vs Kong" (2021) - Kaiju Throwdown w/ Stuart and Ryan

Music:  

Pensacola, Florida (Godzilla Theme) - Tom Holkenborg, Godzilla vs Kong OST

Godzilla Cartoon Theme, 1970's

Ryan's Random Cinema

The Signal Watch PodCast · Ryan's Random Cinema

Halloween Watch: Mary Shelley's Frankenstein (1994)

Watched:  10/31/2020

Format:  Amazon Prime

Viewing:  2nd?  3rd?  4th?  It's been decades

Decade: 1990's

Director:  Kenneth Branagh

We already watched the classic Universal Frankenstein and the Hammer Frankenstein for the podcast, but I always watch Frankenstein and Bride as my final movie or so of Halloween.  So, I swapped in this version, which I hadn't seen in forever.  And I know I hadn't seen it in forever, because Jamie had never seen it.  

My memory was "that sure felt like it thought it was much better than it was".  It was directed by already-respected Shakespearean actor/director Kenneth Branagh, borrowed indie cred by casting Helena Bonham Carter (who was the indie-fan's sex symbol of the time), borrowed established cred with Robert DeNiro as the Monster, Tom Hulce of Amadeus fame, Ian Holm, John Cleese and others.  The sets are lavish, the score: sweeping.  

PODCAST: "Van Helsing" (2004) - our Halloween 2020 Finale! w/ SimonUK and Ryan

Watched:  10/18/2020

Format:  Amazon Streaming

Viewing:  Second

Decade:  2000's

Director:  Stephen Sommers

For more ways to listen

Well, what better way to wrap up our review of classic monsters and monster movies than to discuss 2004's mish-mash of Dracula, Frankenstein, werewolves, hats, hair, bodices and swing around on ropes? Universal threw money at the guy who gave them the 1999 Mummy franchise and he promptly went bananas, abusing SFX teams and creating the worst kind of fan-fic. Join us as we make our way through Van Helsing.

 

The Signal Watch PodCast · 125: "Van Helsing" (2004) - Halloween 2020 w/ SimonUK & Ryan

YouTube

Music:

The Monster Mash - Bobby "Boris" Pickett and the Crypt Kickers

Halloween and Horror (everything)

The Signal Watch PodCast · Halloween and Horror

Hammer Watch: Frankenstein Must Be Destroyed (1968)

Watched:  10/22/2020

Format:  TCM on DVR

Viewing:  First

Decade:  1960's

Director:  Terence Fisher

I've watched the few Frankenstein movies from Hammer that I've seen completely out of order.  And this is no exception.  I think this is the second to last movie, but, really, do not know.

Completely spinning the opposite direction from Universal, Hammer decided the selling point for their Frankenstein films was not the monster, but the good doctor himself.  Building on the arrogant sonuvabitch from the novel, this version of Frankenstein is NOT humbled by his first creation, but emboldened by his success, and so the subsequent films are him doing what all good scientists would do - keep working on it.  

Hammer Watch: The Vampire Lovers (1970)

 

Watched:  10/21/2020
Format:  BluRay
Viewing:  Third
Decade:  1970's
Director:  Roy Ward Baker

A few years ago I included The Vampire Lovers (1970) in my list of one of the best movies I'd watched that year, but I don't think I'd actually watched it again since.  Maybe in bits on cable, but this year I've been saving another rewatch for Halloween-season.   The last few Octobers were obnoxiously busy times for me (in no small part because of baseball, but the Cubs were very bad this year).  But, last year I squeezed in a listen to the audiobook of the source material, the novella Carmilla.  (I should mention, the novella predates Dracula by about 15 years).

PODCAST: "The Mummy" (1932) and "The Mummy" (1959) - Universal and Hammer Horror for Halloween 2020! w/ SimonUK and Ryan

 

Watched:  10/10/2020 and 10/13/2020

Format:  BluRay and Amazon Streaming

Viewing:  Unknown (a lot) and Third

Decade:  1930's and 1950's

Director:  Karl Freund and Terence Fisher

For more ways to listen!

We get wrapped up in some positively ancient horror favorites; two takes on the ancient dudes coming back and causing a lot of problems for colonial pillagers of ancient burial sites! First up is the weirdly undiscussed 1932 Universal feature starring Boris Karloff as a former clergyman who would do anything for love, then we talk the 1959 version starring Christopher Lee in a similar role - but this time opposite Peter Cushing. We'll walk a Nile in their shoes as we dig deep and discuss two horror classics!

 

The Signal Watch PodCast · 124: "The Mummy" (1932) & (1959) - Halloween 2020 w/ SimonUK & Ryan

Music: 

The Mummy Opening Titles - Franz Reizenstein, The Mummy OST

King Tut - Steve Martin, 45rpm edition

Halloween 2020 Playlist

The Signal Watch PodCast · Halloween 2020 - Universal and Hammer Horror

Halloween and Horror (everything)

The Signal Watch PodCast · Halloween and Horror