JLC Watch: A Fish Called Wanda (1988)

Watched:  09/19/2024

Format:  AFS Cinema

Viewing:  Unknown

Director:  Charles Crichton

Simon and I decided to catch this one again at the cinema.  

I've always liked A Fish Called Wanda (1988), and while some items in the film aged poorly, it's still a very, very good comedy with some screwball bits that just kill.  I don't know how objective I am about the film as I saw it so young and, at the time, felt like I was watching something aimed, for once, at adults rather than an all-ages comedy, like I was used to.  I mean, this isn't far removed, chronologically, from the early Police Academy franchise, which is what an R-Rated comedy looked like in the US that I had previously been watching.

Yet, the film is intensely silly.  Everyone is firing on all cylinders, enough so that you can't single out anyone in the film, just your favorite bits or scenes.  The entire sequence in which Wanda sneaks into Archie's house to seduce him is *gold* and should be studied by academics. But it's not aimed at 13 year-olds.  The comedy comes from a different place that knows goofy, witty, sexy and fun without resorting to feeling like "insert funny sad trombone sound here" is appropriate.

Si and I saw the movie in a shockingly full theater for an 8:30 PM Thursday showing of a movie you can stream from your phone right now.  It was a mix of clear die-hards for the movie and people who'd never seen it, I'm guessing, from the gasps and laughing at surprise bits in the film.  And, all ages.  20-something hipsters and Grandmas who likely have seen it 25 times.

Was JLC a big reason why I came out to the theater for the movie?  You know that's the case.  But I had never seen the movie on the big screen, and or with a crowd, and it was a delight to do so.

Here's the Podcast from years ago when Jamie, Si and I talked about the film.

JLC Neo-Noir Watch: Blue Steel (1990)

Watched:  07/06/2024

Format:  Criterion

Viewing:  First

Director:  Kathryn Bigelow

Criterion Channel is showcasing Neo-Noir films this month, and I absolutely remember this coming out and not understanding what it was at the time, and then never hearing from anyone who ever saw it.

But here at The Signal Watch, JLC is one of our patron saints, and I was curious.

The movie is a curious mix of genres - certainly an homme fatale noir, but 100% a thriller.  And sets itself in the New York of the late 1980's where finance-dudes were of interest to audiences, as were blue-collar types.

Jamie Lee Curtis plays a young woman literally right out of the police academy who, on day 1, stumbles onto a hold-up occurring at a grocery, where she's forced to shoot the gunman.  Which she does in 1980's style, emptying her gun and sending the guy reeling through the front window.

Unfortunately for her, the gun the guy had goes missing, and no witnesses say they saw a gun.  And there's no tape?  In 1990 in New York?  But ok.  

She's on administrative leave when she meets a commodities exchange fellow who woos her.

But, uh-oh, he was at the scene of the crime, took the gun, and is now murdering people with the gun after carving her full name into the casings, that he leaves behind after killing innocent people.

One good cop (Clancy Brown) believes her while everyone else just wants to fire her or make her go away, but Eugene (Ron Silver) ups the ante, and eventually she figures it out just pre-coitus.  And then things get really nuts as she fights for anyone to believe her and he lawyers up while also murdering her friend (Elizabeth Pena, RIP) in front of her.  

On the whole - my take is this: 

Television Watch: The Bear (Seasons 1 and 2)

Initially, I wasn't overly interested in The Bear.  It looked like "quality TV", but leaning into a type of character we've seen a few dozen times over the past 20 years - a self-destructive guy, likely with chemical dependence issues, and likely has sex a lot.  Watch him fuck up over and over.  Look, Don Draper *owns* that, and you're not going to top that writing or performance, but people keep trying. I figured the show would be in a high-pressure world of a field everyone kinda thinks maybe they could work in, but knows that the real winners are genuine artists.  And, sometimes I get very worn out less by the existence of high end cuisine, but how "foodies" can be in general.*  

But (a) that is not what the show is about.  And (b) they added Jamie Lee Curtis.  So.  You know.

Over time I'd also figured out:  the show is not about a high-end restaurant - yet.  It's about a Chicago-area Italian Beef sandwich shop, and our lead has no addiction issues to make them edgy.  At least no chemical addiction issues.

At its heart, this is a show about two families, who are almost a circle on a Venn Diagram - the Berzattos, and the employees of The Beef, the aforementioned sandwich shop.  All are in shock after the suicide of owner and eldest sibling of the Berzatto family, Michael.  Who has left the resaturant to his brother, Carmine, who fled Chicago and the family to become a world-renowned chef in New York.

Happy Birthday to Jamie Lee Curtis

 

Happy Birthday to Oscar Winner and Signal Watch Fave, Jamie Lee Curtis

Hallo-Watch: Disney's Haunted Mansion (2023)

Watched:  10/05/2023

Format:  Disney+

Viewing:  First

Director:  Justin Simien

So, like many-a-product of the second half of the 20th century, I have a fondness for the Disney Parks and, especially, The Haunted Mansion ride.  I can easily recall my first time on the thing, sometime around 4th grade, and riding in a "doombuggy" with The Admiral and having a grand old time (core memory, as the kids say).  Since, I've been to Disneyland and The Magic Kingdom, and have no preference for which is which.  Both have excellent Haunted Mansion rides.  So, yeah, I'm predisposed on this IP.

Following the crazy success of making a story and movie around the ride and putting it in theaters with Pirates of the Caribbean, Disney tried to do this again a few ways.  Though, I have no idea how there is not a Space Mountain movie  I mean, come on.  But they did previously try a different Haunted Mansion movie starring no less than Eddie Murphy, and that movie did - fine at the box office.  It is exactly what you think a 2003 attempt at such a thing might be.  I think.  At least the first fifteen minutes is utterly predictable, unfunny and I didn't make it further than those first fifteen minutes before giving up.  But this post isn't about that movie.

There's also a 2021 Disney+ direct Muppets Haunted Mansion thing, which is cute and understands the ride and Halloween, plus Muppet humor.  And it has Taraji P. Henson, so it has my vote.  

Hope for box office springs eternal, and while Disney only made, like, $180 million on the first movie, meaning it wasn't the massive, unbelievable success of Johnny Depp playing Keith Richards in a hat, they decided to go again for 2023.  And, friends, Disney's Haunted Mansion (2023) absolutely tanked.  It made only $114 million on a budget much higher that that.  And that difference you're noticing between the 2003 and 2023 box office does not account for inflation.  So, yeah.

JLC Watch: Prom Night (1980)

Watched:  03/30/2023

Format:  Watch Party

Viewing:  First

Director:  Paul Lynch

We decided to watch another Jamie Lee Curtis movie for a Friday party watch.  This one is a post-Halloween JLC, when I guess folks pegged her as a scream queen.  But this is JLC, so she never really screams, she just kind of kicks ass when she's drawn into the action.

I'd not previously seen Prom Night.  When Prom Night II was meme-ing a while back, I tried to watch it first, even though the two are utterly unrelated. At that time, the movie wasn't available for some reason, but now it is, and while a career retrospective of an actor like JLC who is constantly working is difficult, why not try to check off the boxes?  

The actual plot of the movie, if you break down what it is, is really good.  I liked it.  But, man, the execution was all over the place.  Some parts were really solid, and some just dragged on when the outcome of, say, a girl chased by a killer, is never in doubt.  At this point in the slasher cycle, I assume the audiences would know that?  I dunno.  I was 5.  

The set up is that a bunch of kids are playing in an empty building in 1972 and one of the little kids, while playing a tag-like game, falls from a window to her death.  Because kids are all sociopaths, they make a pact to never tell anyone they were there and the death is supposed to be tied to a child molester who escapes.

So, there's a lot going on in the first ten minutes.  

Flash forward to 8 years later as the kids are getting ready for prom, the death of the girl remembered on the anniversary - and maybe that molester guy has returned?  

Anyway - all of that is gold, and possibly culled from the story the movie is based on.  But, man, the movie itself is kind of weird and draggy from the set up to the last 30 minutes or so, which is really pretty good.  Consequently, there's 45 minutes of the world's boringest 20-somethings posing as teens, romantic rivalries that only kinda work, a Carrie-ish riff from a meangirl, and maybe too many characters who only ever raise up to the mark of mildly interesting.  

What you can see is that JLC kind of shines in the middle of all this without doing a lot.  She's just got star power, and is projecting waves of energy, which culminates in a dance sequence at the prom (JLC can dance, apparently!) and then when she takes on the killer.  

Leslie Nielsen is in this playing a straight role as JLC's dad and the principal of the school.  I have literally no idea why he is in this.  He only seems to have been there for a few days of shooting and gets top billing.  

If the movie could have been as consistently good as the beginning and end, I'd recommend it.  I can see why they went daffy with the sequel.  This movie is, in many ways, a tragedy dressed up as a horror film, and it makes everything kind of a bummer as the thing wraps.  But it's also not a police procedural, so I can see why it works as it does with high school kids at the center and cops at the periphery.

 

Watch Party Watch: A Fish Called Wanda (1988)

Watched:  03/24/2023

Format:  Amazon Watch Party

Viewing:  Unknown

Director:  Charles Crichton

Well, this week is Jamie's birthday and this is one of her favorite movies, and it's also still adjacent to Jamie Lee Curtis winning an Oscar, so it seemed like a great chance to celebrate Jamies, so our Jamie picked this film to watch.

It was funny - we generally watch a certain grade of film for watch parties because we're all chatting, but the chat was pretty quiet as everyone was engrossed with the film.  In general I knew it would be a challenge as (a) it was a movie someone genuinely loved (b) it's a comedy, which is hard to comment on and (c) it's actually good, so what does one say?  

A Fish Called Wanda (1988) is hysterical.  And as followers of this blog and podcast will note, we love JLC here.  But, also, a while back, we recorded a whole podcast on the film.

The Signal Watch PodCast · 113: "A Fish Called Wanda" (1988) - Jamie, SimonUK and Me

PodCast 220: "Halloween Trilogy" (2018, 2021, 2022) - a Halloween PodCast w/ MRSHL and Ryan

Watched:  10/20 and 10/22/2022

Format:  HBOmax and Peacock

Viewing:   Second/ First

Decade:  2020's

Director:  David Gordon Green

For more ways to listen

New album from Chromaplastique

To wrap up Halloween 2022, Marshall and Ryan take on the more recent trilogy of sequels based upon John Carpenter's 1970's ground-breaking classic, that spanned 2018-2022. We drive relentlessly through three movies, slashing our way through narrative complexity, taking down the multitude of ideas presented, slaying any questions about what the movie is trying to do, and staring into the abyss as we try to figure out what, exactly, is staring back.

SoundCloud 

The Signal Watch PodCast · 220: "Halloween Trilogy" (2018, 2021, 2022) - a Halloween PodCast w/ MRSHL and Ryan

YouTube

Music:

Halloween Theme - John Carpenter 

Halloween Ends - John Carpenter 

Halloween 2022 Playlist

The Signal Watch PodCast · Halloween 2022

All Halloween and Horror PodCasts

The Signal Watch PodCast · Halloween and Horror

Friday Watch Party: The Fog (1980)

I keep telling people "The Fog is, like, a perfect movie for Halloween."  So I'm going to make you watch it before Halloween.  

Featuring a sort of perfect trinity of female leads in Adrienne Barbeau (in her first role!), Jamie Lee Curtis showing up for Carpenter because of course she did, and Janet Leigh(!) - that's a good reason to watch any movie.  But it also features the great Hal Holbrook and unlikely hero Tom Atkins.  

Produced by Debra Hill, directed by John Carpenter and co-written by both - this thing just fires on all cylinders.

"I'm Stevie Wayne, and you're listening to 'Sounds to Get Ghost Murdered By'"

And the movie is creepy AF.  A lovely ghost/ revenge story!

Day:  Friday 10/21/2022

Time:  8:30 Central

Service:  Amazon

Cost:  $4

CLICK HERE TO TUNE IN TO KAB Radio 1340 - Antonio Bay, CA

link active 10 minutes before showtime

Everything Watch: Everything Everywhere All At Once (2022)

Watched:  09/24/2022

Format:  Amazon Streaming

Viewing:  First

Directors:  Dan Kwan, Daniel Scheinert

Look, one would really need to watch this movie 2-3 times and plan on several thousand words to really talk about Everything Everywhere All at Once (2022).  Suffice to say, this movie was very, very much in the wheelhouse for a lot of us, and if it was nominated for - and then won - awards, I might have respect for the awarding industry and begin to believe that it actually recognizes what cinema can do.

I am painfully and tragically aware that some will watch the movie and say "oh, they were trying too hard" or "that was just weird for weird's sake".  And, if that is your takeaway, I wish you well on your journey through life.  Sadly, you and I are going to view this rock we live on, and our time here, with wildly different eyes.

Everything Everywhere All at Once will be one of the films that I'm going to hold close, because we don't get them very often.  Whether you think the movie is saying something new - and, arguably, it is not - it is saying it beautifully, artfully, and humanely.  And maybe when we need it most.  

Sci-Fi and fantasy always are at their best when they are  allegories which may reflect, shift or challenge our views.  And whether we're considering response to a technological change and vast societal ripples or deeply personal stories, the closer we hew to recognizable reality, the greater the impact.  There's a reason we well up as Spock makes a sacrifice for the crew - it's a statement on the logic of serving the greater good, not on the problems of a made-up warp-core technology.  But it's a lesson forgotten again and again in comic books, television and movies, which become about the concepts and less about what it says to the audience about the world or themselves.  

SPOILERS

Happy B-Day, Jamie Lee Curtis

 

Today is the birthday of Signal Watch hero and our second favorite Jamie, Jamie Lee Curtis.

Y'all put out some good vibes into the universe today in honor of JLC.

JLC Hallow-Watch: Halloween Kills (2021)

Watched:  10/20/2021

Format:  Peacock

Viewing:  First

Decade:  2020's

Director:  David Gordon Greene

SPOILERS

So, this isn't a movie, it's the second act of a three part film about Michael Myers and the residents of Haddonfield.  Maybe the third part of a 4 part film, if you want to think of the 1978 film as the prelude.  

I haven't read anything about the movie as I was trying to avoid spoilers, but it's got a very low reviewer rating on Rotten Tomatoes, which... fair enough.  Horror sequels usually stand alone, using some of the same characters.  But, much like Halloween 2 from the 1980's (now erased in this continuity), this chapter acts more as an extension of the prior film.  Halloween 2 picked up as Laurie Strode was whisked away to a hospital and Myers tracked her down.  This one does similar - picking up from the end moments of Halloween 2018 on the same truck ride where we left the Strode women.

Halloween Watch: Halloween (2018)

Watched:  10/05/2021

Format:  Amazon

Viewing:  First

Decade:  2010's

Director:  David Gordon Greene

When I heard David Gordon Greene, Danny McBride and Jamie Lee Curtis were involved, for once, I was not skeptical of a new installment in the Halloween franchise.  

Look, I am sure seeing - and thoroughly enjoying - the original Halloween when I was fourteen means I can't really be objective about that 1978 film.  I was already roughly a fan of Curtis in 1989 when I saw it, and the movie is - for this blogger - the platonic ideal of a slasher horror film.  In many ways - after Halloween, you either up your game or what's the point?  

Like Meyers the character, the 1978 movie itself is a single-minded shark, moving forward and striking.  It's fatless meat and bone, giving just enough character to Laurie Strode and her friends to make you actually care when kitchen knives get deployed.  And, of course, we only get the crucial details about Michael.  The horrifying incident as a child that indicates how broken he is, and then Loomis letting us know:  "oh, yeah, he's bugfuck crazy.  We need to stop this maniac."  (That's his doctor.) provides a villain who simply is.

PODCAST: 113 - "A Fish Called Wanda" (1988) w/ SimonUK, Jamie and yours truly

Watched:  08/23/2020
Format:  HBOmax
Viewing:  Unknown
Decade:  1980's
Director:  Charles Crichton, John Cleese

For more ways to listen

Jamie, SimonUK and yours truly revisit the 1988 favorite about a barrister, an animal lover, a moron, and Jamie Lee Curtis - all caught up in the fallout from a heist. Simon and Jamie can quote it, Ryan quite likes it, and we do our best not to talk about what makes something funny. And Ryan insists on further discussing JLC.

The Signal Watch PodCast · 113: "A Fish Called Wanda" (1988) - Jamie, SimonUK and Me

Music:
A Fish Called Wanda Suite - John Du Prez


Playlist:

The Signal Watch PodCast · Jamie's Cinema Classics

PODCAST: "Trading Places" (1983) - The Holidays Will Never End, w/ MRSHL and Ryan

Watched:  01/04/2019
Format:  Amazon Streaming
Viewing:  Unknown
Decade:  1980's

The holidays never end here at The Signal Watch! We've got one more PodCast for you as we discuss "Trading Places" (1983), a movie about class, race, and power of hoping your audience knows a whole lot about the commodities market (we do not). Join us as we discuss a movie that's both dated and ageless. Oh, and it takes place at Christmas, sort of.



Music:
Overture - Mozart, The Marriage Of Figaro

Holidays 2019

Whodunnit Watch: Knives Out (2019)

Watched:  11/29/2019
Format:  Alamo S. Lamar
Viewing:  First
Decade:  2010's

I have a feeling Rian Johnson is going to be, with this movie, one of those directors twitter decides they need to prove they think is overrated.  He hasn't made that many movies, seems pretty lucky to have done what he's been able to do (if you ignore how he scraped to get Brick made), and hasn't ever delivered exactly what people are expecting when they show up at the theater - up to and including The Last Jedi.

Horror Watch: The Fog (1980)

Watched:  06/09/2018
Format:  Amazon Streaming
Viewing:  First
Decade:  1980's


Lately I've been having an ongoing conversation with Stuart about the tendency of critics to use the phrases "it's not really a horror film" or "but it's good" in discussing the horror genre when they want to get folks to at least consider viewing something made as a horror movie.  This thinking and talk offends the horror purists, but as someone who tends to think of the endless line of cheapo slasher flicks that lined the walls of video stores during his formative years - I kinda get it.  I understand the coded message: this is horror, but it's not going to just make you queasy and wonder why this is supposed to be a good way to spend 90 - 120 minutes of your life.

I'm of the firm belief that horror is a pretty good indicator that nobody goes to the movies for the same reasons (I usually get very little from horror, but I will have to be carried into a Katherine Heigl RomCom on one of those Silence of the Lambs dolleys).  Still, this does make me think a bit about how I talk about horror films - what I like and don't.

During the course of the chat, Stuart was stunned to learn somehow I'd never seen The Fog (1980), and I had no real reason I hadn't seen it and one convincing Adrienne Barbeau to suggest I absolutely *should* see The Fog.  It's not like I don't dig John Carpenter's other films I've watched - so I broke it up over a couple of nights as I was winding down in Bozeman.