John Cassaday Merges With The Infinite

For years, I've had a Superman comic on my wall in a frame.  It was a curious moment in comics history - and/ or Superman history.  A much ballyhooed signing of a popular television and movie writer to the title Superman had gone south and the writer had basically walked off the book.  A new writer - a local writer! - came in and took over Superman and... saved the day (thanks, Chris Roberson!).  

Roberson's work was great - that's another post - but Cassaday on this cover, as he'd been covering the title for a minute, was perfect.  It was Superman, lit from below, iconic, symmetrical, lantern jawed and strong without seeming impossible - a perfect design in my book.  And to this day, looking at that cover is one of the images I have in mind when I think of the wonder that Superman can be.

John Cassaday has passed at the age of 52.

Cassaday's work is some of my favorites from my adulthood, full stop.  His character work was astounding, his lines clean, his ability to convey emotion and meaning with a gesture insane.  His interiors were gorgeous, but I assume he just made so much more money doing covers, he just had to give it up.  I don't remember the last time I saw Cassaday doing a full comic book.  

Like many who survived the 1990's comics market, I came to him through Planetary - a joint with Warren Ellis that was one of those comics you just waited months for because it took that long to come out.  I won't go into what Planetary was about, but now I wish I had the collections.  Maybe DC will reprint it all.  It was a gorgeous, insane book spanning a secret world under our own and a brilliant concept.

He drew the Captain America I suspect they looked at *hard* when Marvel Studios was pondering how they'd portray Cap (yes, I know about Hitch's work... I stand by my statement).  Chris Evans seems much more the Cap of this post 9/11 run that changed Cap forever than he seemed Ultimate Cap's pain-in-the-ass American fighting man.

And, of course, his Astonishing X-Men is legendary.  His Lone Ranger work should have been far bigger than it was.

It's always a tragedy when someone passes.  And when someone who's work you like goes.  And worse when they're just 52.  

But we're comics-folk, and in fifty years, some comic nerd is going to be waving images of Colossus in his hand, talking about Astonishing X-Men and the great John Cassaday.  Someone is going to have his Superman as their lock-screen.  Someone is going to learn that Planetary was a comic in 2002 before it was a movie series starting in 2040, and they'll stare in wonder at what the human hand and eye could do.

Your work will be missed, sir.  And if the outpouring of grief online is any indication, you will be missed by the talent you worked with, the pros you knew and the fans, who universally attest to your kindness.  Not a bad legacy.

TL;DR: Six Months Later - DC Movies are Dead (Long Live DC Comics and Movies)

Friends.  Nerds.  Blogger-folk.  Lend me your eyeballs.

I come here to bury the DCEU, not to praise it.  

I love DC Comics.  I have a collection of around 5500 DC Comics - and that's what remains after multiple cullings of the collection over the years, selling off dozens of long boxes and whole runs of JLA, The Flash and Green Lantern.  I have a room in my house largely dedicated to Superman and Wonder Woman, featuring knick-knacks, statues and toys, where I keep those comic books.  I have walls of graphic novels, and DC reference books.  My dog wears a Superman collar sometimes (he's currently wearing a Chicago Cubs collar).  I have attended the Superman Celebration in Metropolis, Illinois.  If there is a DC based TV series, serial, movie, cartoon, etc...  there's a good probability I've seen it or have a functioning awareness of it (not everything is for me and I've passed on a lot of animated features the past decade).  

All this is to say, when I discuss DC's movie efforts, it's from a place of love of the source material, of other DC media, and that I'm not coming in as a film-guy who never lifted a comic.  

None of this is to require anyone else to have this background, and you're entitled to your opinion.  But fan entitlement is a thing to behold, and so I feel some credentials are in order.   To conclude a clunky preamble, I say everything I say from a place of genuine love for the characters and their universe.

Thus, let it be known that the DC Comics movie experiment, that began in 2011 and which wrapped-up a decade later with Aquaman and the Lost Kingdom at the end of 2023, is done.

And that is to say, I did not love what DC did with its movies, starting with Man of Steel in 2013.   

Superman 2025: Climbing the Story Mountain and the Soft Application of Dunning-Kruger

You can follow along with this series under the label for Superman2025, a series of posts leading up to the release of WB's new movie in 2025.  All Superman posts since the start of this blog can be found under the Superman label.

With James Gunn's recent social media posts about the start of principle photography on Superman (2025), we now enter into one of the curious aspects of Superman as a character and property:

Everyone has an opinion

Folks have ideas about what the movie should and should not be.  They have bold ideas that haven't been tried before.  They have ideas about period settings, and what would *finally* make Superman click with a wide audience.  They have opinions about why Superman doesn't work for them, but *could* if they just did X.  Folks demand they not do an origin.  Or, they demand Superman dies.  And so on and so forth.

There are the occasional think-pieces and social-media threads arriving in various levels of provocativeness and consideration.  These are usually more focused on the characterization and actually worth glancing at as the writer is often someone working through a thought experiment of the challenge of writing for a guy who can bend steel with his pinky finger and melt a tank with a hard stare.  

One such thought-exercise which made the rounds this week was from writer Michael Chabon.

Post by @michael.chabon

View on Threads

The ideas thrown out there by social media users and the deeper thinking is welcome.  It's engagement.  It's people with feelings about one of the original superheroes and an American icon.  It's sometimes quality writers pondering the challenges of writing for a character who has been around since 1938 and which seems stuck in place - and so we want to throw an idea or three out there.

It's nice that we *want* to like Superman, and we are being helpful.

Ramona Fradon Merges With The Infinite

Literally just yesterday I pre-ordered three comics as they had covers by Ramona Fradon.  Today I have learned Fradon has passed.

Fradon had just retired this January at the age of 97 - and I assumed those covers were her last for DC.  That's a career, friends.  So, clearly, she was well and working right up til recent days.  Thanks to some good people on the internet, she'd been recognized for her role as a woman in comics during the Silver and Bronze Age - in a vastly male-dominated industry.  She was the right artist for many-a-project, and I'm glad she had a sort of late-career renaissance when folks recognized her.  And, frankly, her art was still great right up til January.

If you're unfamiliar with Fradon's style, she's credited with the original design for Metamorpho, a DC hero, and I tend to think of her work as tilting more towards cartoony than illustrative, with an excellent use of line to suggest character.  She's probably almost as famous for her work on Aquaman as Metamorpho, 

In addition to work across genres at DC, she also worked on Brenda Starr, Reporter, a newspaper strip.  

I'm sorry she has passed, but glad she had such a long life bringing so much great art to the world, and really enjoy a new generation of fans the last decade or so.

"Glory Boat" Splash Page Goes Up For Auction

A while back, Stuart asked me what original comics art I would like to own.  And the answer to that includes complex math in my head, but for simplicity's sake, I'd cut to the chase and say - probably the Glory Boat splash page from New Gods #6.  See above.

seen here in full color

Starting around 1971, The Fourth World Saga was Jack Kirby's original epic/ opus when he returned to DC from starting Marvel, the work spanning four titles:  New Gods, Forever People, Mister Miracle and Superman's Pal, Jimmy Olsen.  Unthinkable in the last thirty years, Jack Kirby, then 54 years old, pulled this off by drawing, plotting and writing 4 titles per month, in the process creating a universe on top of the DC continuity that had started, sort of, around 1938, give or take.  

Keith Giffen Merges With the Infinite

Comics legend Keith Giffen has passed.  

I can't begin to quantify how much an impact Giffen had on the industry and on me as a reader.

I knew Giffen first as one of the talents on the famed mid-80's Justice League America and I am the guy who still thinks we all dropped the ball not making The Heckler a top seller.  

He's responsible for so, so many characters and stories that make up the DCU, with amazing runs on Legion of Super-Heroes and innumerable other titles.  If Giffen's name was on it, it was worth checking out.  Just last week I was pricing a collection of his Doom Patrol on eBay. 

I'll just drop this wikipedia link here, because it's just way too much for me to repeat here.  The man was a giant, and responsible for countless ideas, many of which are the best at multiple comics publishers.  He gave us worlds upon worlds.  

I'm finding myself surprisingly shaken by Giffen's passing. He was one of the pros I always wanted to meet, and he was just in Austin, but I didn't make it to the Con.  I am sure the industry is going to be in deep mourning this week as folks say goodbye to their friend and inspiration.

Y'all take a minute to remember Mr. Giffen and all he brought to these worlds and this medium we love.

 

John Romita, Sr. Merges With the Infinite

John Romita, Sr., one of the classic Marvel bullpen of creators of the 60's-era (and well beyond) has passed.  

Much as Carl Barks was "the Good Duck Artist" to a generation or three, Romita was, to me, THE Spider-Man artist.  Sure, he did plenty else, but his work on Spider-Man was so foundational to the character, his design and humanity brought to each panel, a key player in re-figuring the style at Marvel, and therefore the style of modern comics.  

The world of Spider-Man was surely full of colorful characters, but they weren't defined by their powers, they had unique personalities and character, and Romita brought it right to the surface.  

He was also the artist who brought classic moments we're still dealing with in comics.

Like, the intro of Mary Jane Watson.

and, of course, everything with the Stacy's.

And that's how everything ended up with Gwen and Captain Stacy.  Everyone cool and living happily ever after.

I love this era of Spidey.  It's the height of personal and super-hero drama, and has Spidey working in a milieu I think he operates in best.  And when I think of this era, sure I think the title is well written, but it's also the Marvel Method, which means Stan worked out a storyline with the artist and cut them loose, to come back and fill in dialog later.  So it's artistic storytelling, refusing to rely on text or words.

We'll miss knowing Romita Sr. was out there.  We lost a giant this week.

"She-Hulk, Attorney-at-Law" is Coming to Disney+

It's not easy being green whilst filing writs of habeas corpus

On May 17th, the trailer hit for Marvel's She-Hulk: Attorney-at-Law multi-episode series, which is set to begin on Disney+ in the coming months.  

When talking to pal GadK about the trailer last night, I had to put aside 30-something years of personal knowledge and history and consider what the hell She-Hulk looks like to someone unversed in the character.  Which, for us old man comic nerds, is an increasingly common occurrence.

Here's that trailer.

We're just in a weird, weird part of whatever the arc will be for superheroes media in our very own reality and continuity.  We're moving rapidly away from how superheroes were understood by the broad population as costumed do-gooders who fight obvious bad-guys in melodramatic four-color battles, an impression derived from barely understood comics of a by-gone era.  

What a non-comics person should know:  At some point, the various genres of comics that appeared across a range of comics (romance, western, etc...) seeped into various genres of the booming superhero genre and sparked endless iterations and permutations - and that is what you will now get at your local comics shoppe.  And it means things in Marvel and DC comics adapted to TV and movies will get weirder than a sarcastic space raccoon post haste.  

PodCast 199: "The Batman" (2022)- a Kryptonian Thought Beast Episode w/ JAL and Ryan

Watched:  05/01/2022

Format:  HBOmax

Viewing: First

Decade: 2020's

Director:  Matt Reeves

For more ways to listen

It's no riddle which flying rodent-enthusiast had a blockbuster in 2022. The Dynamic Duo of JAL and Ryan get back to the Batcave to talk all about the latest take on the Dark Knight Detective. It's time to get broody as we go batty talking how this one fits in with the big picture, and what makes it unique.

SoundCloud 

The Signal Watch PodCast · 199: "The Batman" (2022)- a Kryptonian Thought Beast Episode w/ JAL and Ryan

YouTube

Music:

The Batman - Michael Giacchino, The Batman OST 

Batman - Neal Helfi

Something In the Way - Nirvana, Nevermind 

DC Movies Playlist

The Signal Watch PodCast · DC Cinema and TV

Comic Artist George Pérez Merges With The Infinite

One of the first comics I read that turned me into a comics fan was in a DC Blue Ribbon Digest (1984), a reprinting of Tales of the Teen Titians #50, one of several landmark issues of the famous run by George Pérez and Marv Wolfman.  Even in that reduced size, I was blown away by the art - in detail, character design, and ability to convey and carry emotion.  And Tales of the Teen Titans was always full of emotion.  

a page from Tales of the Teen Titans 50

Hence, the name George Pérez was one I always took seriously and who made me realize the contribution of the artist in a comic book - both in partnering with the writers, but also how good work absolutely elevated everything in a comic.  

I was a boy when Wonder Woman was rebooted post-Crisis, and boys did not read Wonder Woman (this is the dumbest thing, but it was true).  So it's to my eternal regret that I missed the initial run of George Pérez's solo work on the title, which, if you've never seen it, is achingly gorgeous and simultaneously spawned a generation of artists trying to be Pérez. In the meantime, I've collected every issue and likely have most of it in 2-3 versions of collections.  I may love Kirby and his dynamic flow and over-the-top energy, but Pérez's vision of Themyscira, Olympus, of a professor's home - and his shockingly grounded writing of the series filled with Greek Gods and supernatural terrors also gave way to the emotions of tween girls, middle-aged military brass, and the brave face of a fish-out-of-water Princess making her way through modern-day Boston.  It's so good.

Pérez's Wonder Woman

With his work we don't talk about issues or runs, we talk about "eras".  That's the impact.  

Whether it was Avengers, the phenomenal work of JLA/Avengers or even his indie work - his look and his eye changed everything.

In recent years, it was known his eyesight wasn't great and his health was not good.  And in recent months he announced he was terminal, and would pass.  Unlike so many deaths, which happen as a surprise to the public, Perez's announcement allowed the fans to celebrate him and let him know the impact he'd made on them.  

There is no picture of modern comics I can muster that doesn't include Pérez.  He picked up the torch and the challenge Neal Adams put before everyone to push their work as hard as they could.  And it's unbelievable we'd lose two such giants within days of each other.  

But I am glad the industry and fans got to let him know what he meant.  Godspeed.

Supergirl on the CW Ends

I started watching Supergirl from the pilot when the show had big ambitions and was going to air on CBS.  The pilot of the show is... not great.  You could feel the hands of CBS, home to a wide array of boring shows I don't watch, all over the show and kind of wringing themselves with all this superhero weirdness.  But they did bring in a decent cast, and seemed to have some ideas for modernizing the Maid of Might from her incredibly goofy origins in Action Comics 252.  

I won't get into it here, but Supergirl as a property allows for some flexibility as the character's titles never last, no one working on the latest iterations seems aware of prior incarnations, and once on the title, never seems to know what to do with the character for more than 3-6 issues.  I have probably hundreds of Supergirl comics, and there's been exactly two modern runs that I would recommend.

The show started off on CBS, which was always an awkward fit and probably one of the things that drove DC and WB to realize that working with network suits was more trouble than it's worth.  For the first half of the first season, the show felt deeply uncomfortable with itself, bucking against old network tropes and trying to make the domestic life of Kara Zor-El as basic as possible.

DCU Animated Bat-Watch: The Killing Joke (2016)

Watched:  10/03/2021

Format:  HBOmax

Viewing:  First

Decade:  2010's

Director:  Sam Liu

Look.  This... should never have been a movie.  I know what DC/ WB Animation was thinking, but I have no idea what DC/ WB Animation was thinking.

Winding it way back, in 1988 I would have been about 13 when I stumbled across The Killing Joke as a comic book.  And, yes, at one point I had a first printing of the comic, which rises and falls in value on a regular basis.  

It's worth noting - Moore and Bolland were commissioned to do the comic en route to the Keaton-starring Batman movie.  Moore now distances himself from the comic as he has all things DC.  It was, I assume meant to be something of the moment and to give people curious about Batman and the Joker and modern comics something they could pick up as a "graphic novel" at B. Dalton Booksellers.  

This was the era just before 1989's Batman movie, and DC was pushing occasional random things out there and making sure to have collections on the shelf of Year One, Year Two, Dark Knight Returns and the ever popular Greatest Joker Stories Ever Told.  A beautifully crafted story by Alan Moore and Brian Bolland was a slam dunk - focusing on Batman and the Joker to give it synergy - what could go wrong?

Your answers are multiple choice.

TL;DR: The New 52 - 10 Years later - from a guy who just buys comics

Polygon recently ran an oral history of the New 52 effort from DC Comics.  It features then DC Co-Publisher, Dan Didio, as well as a number of writers from the era.  It's a fascinating article for a lot of reasons, in part because of what those interviewed considered success and good ideas, and it seems that at least one person seems to have some difficulty separating fact from fiction on a few points.

A lot of talent - writers, artists and editors - seem to have turned down Polygon's request for an interview, some even citing that working on the New 52/ Nu52 was so unpleasant, they'd rather not talk about it.  So the number of voices that you'll see represented are minimal and probably well insulated from being seen as "difficult" or "willing to talk" by the current folks in charge.  After all, it's a tiny industry, and speaking out of turn even about deposed rulers can still label you as a problem.

In my opinion, reading the article, it's shocking how little self-reflection has occurred and how little awareness at least Dan Didio has about how it all ended - eg: being shown the door in early 2020 - just as he was gearing up to do a redux of New 52 and literally needed to be stopped.

Well, here's my history of DC's  New 52 publishing adventure as I remember it.

Comics BioPic Watch: Professor Marston & the Wonder Women (2017)

Watched:  09/04/2021

Format:  HBOmax

Viewing:  First

Decade:  2010's

Director/ Writer:  Angela Robinson

Why do biopics exist?  

No, really.  Because I don't think producers really know.  

Taking someone else's life and presenting it to the populace in order to tell a story that you want to tell, when you can't be bothered with reality or facts, is a tremendous disservice to the people you're speaking for.  It also means that whatever story you're telling - the point of it, whatever that might be - is now hopelessly compromised the moment someone googles the subject of your film.  Whatever homily you hoped to make of a life isn't going to survive first contact with anyone wondering why the hell you changed so many things.  The hubris, man.

Look, I am not a William Moulton Marston scholar.  I've read possibly three or four books about the history of Wonder Woman over the past 25 years, and I've done my fair share of reading of articles on and offline on same, and therefore touched upon the people at the center of Professor Marston and the Wonder Women (2017).  

PODCAST: "Wonder Woman 1984" - a Kryptonian Thought Beast Episode w/ Stuart, Jamie and Ryan

spoiler: the movie was not released in October

Watched:  12/25/2020

Format:  HBOmax

Viewing:  First

Decade: 2020's

Director:  Patty Jenkins

For more ways to listen

Our elite team of nerds comes together to discuss the hottest ticket on HBOmax and at the cinema. Is she a wonder? Has the world been waiting for her? We try to step inside the characters as we ponder what the film did and why, and, does it work? If you WISH someone could get to the bottom of this film - look no further! We're in our satin tights fighting for the right answers! 

The Signal Watch PodCast · 134: "Wonder Woman 1984" (2020) a Kryptonian Thought Beast episode w/ Stuart, Jamie and Ryan

Music: 

Themyscira - Hans Zimmer, Wonder Woman 1984 Soundtrack

PODCAST: "Shazam!" (2019) - Xmas Genre Xrossover 2020 w/ AmyC and Ryan

 

Watched:  11/13/2020
Format:  HBO

Viewing:  Second

Decade:  2010's

Director:  David F. Sandberg

For more ways to listen

AmyC and Ryan say the word and find themselves checking out the heroic adventures of one of comics longest-lasting heroes who finally found his way to the big screen. And, it's a Christmas movie! We discuss the comics, the movie and what makes for holiday cinematic magic! 

The Signal Watch PodCast · 130: "Shazam" (2019) XMas Genre Xrossover 2020 w/ AmyC & Ryan

YouTube

Music: 

Shazam! Main Theme - Benjamin Wallfisch

XMas Genre Xrossover 2020  

The Signal Watch PodCast · XMas Genre Xrossover 2020

Denny O'Neil Merges with The Infinite

I am terribly, terribly sorry to report that Dennis "Denny" O'Neil has passed.  I am often genuinely saddened when I see someone has gone on to their reward, but sometimes it hits harder.

It is difficult to measure the impact O'Neil had on comics, popular culture and culture writ-large.  And I doubt many people outside us comics nerds (and possibly only comics nerds of a certain age) know his name.  O'Neil was one of the giants, someone I "liked" as a kid when I'd read his stuff, but as an adult and went back through the history of DC and saw all he'd accomplished?

O'Neil is one of the creators largely responsible for the version of Batman you know and love.  He revitalized and solidified Hal Jordan (Green Lantern) and Oliver Queen (Green Arrow), making them relevant as sounding boards for the issues of the day.  He updated Superman and took on the challenge of turning Wonder Woman into a secret agent (with mixed results).  You may know the long runs on Batman that wound up informing Batman: The Animated Series, or the famous "Hard Travelling Heroes" period of Green Lantern/ Green Arrow.  His run on Superman is actually pretty well written, if unsustainable.  The run on Wonder Woman is flat out wild and strange, and - issues though it may have - it's a fascinating attempt to try to update (and maybe a good cautionary tale for every time the internet tells DC to update Wonder Woman).

I first learned his name, I believe, on the cover of The Question (along with Denys Cowan), and soon I looked for his name in association with a certain level of storytelling I thought surpassed most of what was on the rack.

O'Neil didn't just tell stories that took DC heroes on new journeys and challenged them in new ways, he invented a large number of characters for DC and more.   Those characters were a huge part of comics of my youth from O'Neil and others, and wound up in cartoons, movies and more.  Scroll down this page to see a list of his contributions.

It's odd to see the passing of someone who was part of the second generation to enter comics, the folks who were handing off the torch as I was showing up as a reader.  But O'Neil in particular is going to be missed.  But us comics folk aren't the type to forget a person's contribution or what they did to advance the narratives that inspire and entertain us.  And inspired others to create more on the foundations they built.

We'll miss you, Denny.

PODCAST: "Superman: The Movie" (1978) a Super Movie Special with Stuart and Ryan

Watched:  04/12/2020
Format:  BluRay
Viewing:  oh, you kidders
Decade:  1970's
Director: Richard Donner

Ryan is joined by fellow Superman super-fan, StuartW, as they take on the 1978 superhero film that made the world believe a man can fly. It's a discussion of how lightning was caught in a bottle and set a template that the better superhero films still emulate. It's a geek-out fan-fest as Stuart and Ryan fly high into the movie that maybe both of them have seen way, way too many times.

More ways to listen





Music: - All Songs from Superman: The Movie, OST, composed by John Williams

• Prelude and Main Title March
• The Planet Krypton
• Lois and Clark
• The Flying Sequence/ Can You Read My Mind?
• Finale and End Title March

Ryan's Random Playlist

Dan Didio Exits DC

Friday afternoon, I saw news that Dan Didio, former writer, promoted to Executive Editor, then promoted to Publisher at DC Comics, was no longer with the company.  No circumstances regarding his departure have been reported from DC or Didio, so at this time, it's safe to say Didio's exit was possibly due to a difference of direction from WB and/ or the head of Warner Bros. Global Brands and Experiences - Pam Lifford, who took over DC leadership when Diane Nelson resigned and the structure of DC Entertainment was folded back into WB.  There are also rumors about the perceived impact of the coming "5G" event and reshaping of DC Continuity, which, frankly... sounded exhausting as a reader.  Other possibilities included workplace issues and the good old fashioned lay-off as ATT goes about restructuring WB.

A lot of artists and writers took to twitter to talk about how Didio had done good by them, with a few popping off here and there.  Honestly, some of what I saw about how Didio is a great guy just sounded like basic human decency or Management 101, which really makes me wonder what the heck it's like actually working in comics when "he said he'd take responsibility for the thing he is responsible for" is the bar for a great humanitarian in comics.  But, still, the expressions seemed sincere, and while I'm aware there's a tendency in creative fields to not burn bridges and overly laud anyone exiting, I'll take these creators at their word.

Longtime readers will know - I am not a fan of Dan Didio. 

100th Birthday of Curt Swan - comic book artist

Today marks the 100th birthday of the late, great Curt Swan.  For those taking any kind of deep dive into Superman as a long-running comic book character, it doesn't take long before you start producing your list of giants associated with the character's creation and adventures - and Curt Swan is top of the list. 

Siegel and Shuster created Superman, but eventually many of the art duties fell to first Wayne Boring, and then as we transitioned into the mid-Silver and Bronze Age, Swan became the primary pencil behind Superman.  For about three decades Swan drew covers and interiors of Adventure Comics, Superman and Action Comics, and saw the end of his reign with the new era that began post COIE.  In his tenure he created such characters as Supergirl, Titano, Lucy Lane and many more. 

I became familiar with his work through a mish-mash of back-issues and collections of Silver Age comics, and he's very much locked in my mind as one of the best of the best.  It's astounding to see the care put into every panel of his art and how his own style evolved to meet (and often exceed) the times.

More about Curt Swan from Comic Vine and Wikipedia.