Paralympics 2024

Ezra Frech won Gold in High Jump (and, I think, the 100m)

Like most folks, I suspect, every time the Summer or Winter Olympics came on, I'd see the ads for the Paralympics, and have good intentions and zero follow through.  The only time I remember watching anything was in a bar, but I can't even remember what year that might have been.  

But, coming off the high of the 2024 Olympics, and with no Track and Field to watch,* I figured "hey - more Olympics".  And, "hey, more Olympics" is how the Paralympics is pitched on TV.  And that's not entirely wrong or a bad way to frame it.

Add to that the viral stardom of Olympic track star Tara Davis-Woodhall and her husband, Paralympian runner Hunter Woodhall, and I think people got the poke they needed to remember to tune in. Team USA social media kicked into gear, and Paralympians and Olympians made a lot of noise online about the games (and continue to do so.)  Also, NBC really has made it easy this year to watch if you got Peacock.

So, we watched a good chunk of the Opening Ceremonies, and I watched some Wheelchair Rugby (aka: Murderball).  And then a little other coverage the first night, but we'd been to a play, so it wasn't much.  But I've been trying to watch more.  Especially track and field, because that's how I roll.  But I've watched archery, Blind Soccer, Table Tennis (doubles!), swimming and more.  

The Opening Ceremonies were subdued compared to the bombastic opening of the Olympics, but were lovely, if more traditional in form.  Lots of music, dancing, mascots, marching, pageantry.  Fewer mysterious Joan of Arcs coming down the Seine in a blaze of glory and less Gojira.  More "here is a meaningful dance about being a Paralympian".  

The overall coverage of the summer games for Paralympics 2024 is maybe a format NBC could consider for the Olympics.  It's almost all highlights - so it's all thriller, little filler - and that's better for me as a viewer than NBC's primetime coverage.  For example, I am bored to tears by Olympic diving.  And yet, every Olympics, I have to watch people flip off a board without somehow first saying "Mom!  Mom!  Look!  Look what I can do!"  But the Paralympic coverage on USA is just whipping around.  "Hey!  Check out this crazy table tennis match!  Now, there's blind long-distance jumping!  Now, 200m foot race!  Oh, look, a 4x50 swim relay!"  I mean, it ain't dull.

Silent Watch: Diary of a Lost Girl (1929)

Watched:  07/12/2024

Format:  Kino Lorber BluRay

Viewing:  First

Director:  Georg Wilhelm Pabst

I'd been meaning to see this movie since about 1999, so no time like the present.  

This was the follow up to Pandora's Box for the actor/ director duo of Louise Brooks and GW Pabst.

There are certainly parallels to the two movies as a seeming innocent is manhandled by fate, society, bad-actors and is beset by innumerable misfortunes.  There's a sort of Tess of the D'Urbervilles-like series of horrendous people doing bad things to our hero, and her enduring as best she can as currents carry her along.

I don't know what people assume about film before their own era - that discussion seems out of scope for this post.  But the silent era was far from squeaky clean in the US, and in Germany, they were certainly pushing boundaries visually, figuring out how to expand the language of cinema and telling stories that were dealing in mature themes.  

Willie Mays Merges With The Infinite

American legend and baseball player, Willie Mays, has passed at the age of 93.

Mays was, statistically, one of the best to ever pick up a bat and put on a glove.  His career started prior to the advent of the Golden Glove, and he still won 12 of them, consecutively.  He had 660 career home runs and a .302 career batting average.  And, frankly, it's exhausting to think about telling you people about every single one of his records and achievements.  Here's Wikipedia.  

I'm not sure we'll see his like again as a player.  Most baseball folk have him in company with Babe Ruth.  But, if the MLB can learn anything from Hays, I'd tell them:  let your players love the game the way Hays did.  Before I'd read about what kind of player he was - heck, before I knew about baseball - I knew him as a larger-than-life personality who took joy in people and his sport.  The game needs that, and is at its best when you've got those players.

We're sorry to see him go, but as long as people talk about baseball, folks are going to talk about The Say Hey Kid.  

A Total Eclipse of the Sun..!

taken with my Pixel 4

Well, here in lovely Austin, Texas, we were on the edge of the total solar eclipse.  Around 1:36 PM Central, we experienced about 90 seconds of totality.

I was, honestly, pretty excited about the eclipse.  I've seen probably 4 partial eclipses, including one last summer.  And one lunar eclipse back in middle school when my family was on vacation in Mexico and a guy from a restaurant was standing there looking straight up, and because I am that guy, I looked straight up, and me and that guy stopped and enjoyed a lunar eclipse together.

Austin was a big destination for the eclipse, because we are a very hip town for reasons that escape me, but for weeks we've known it was going to be cloudy here.  A month ago, to get ahead of how crazy things would get, local and state government got involved and declared a "state of emergency" so they could handle the influx of people supposedly coming in.  I heard crazy stories about no way to get a flight in or out for days on either side of today.  But I live here, so I didn't really see anything different.

We're expecting usual Austin-Springtime horrible weather over the next 24 hours or so, and so there was a chance we'd all be standing out looking up at the sun getting hit with hail.  

But that didn't happen.  

The weather sort of held on, delivered some swiftly moving cloud cover that allowed for occasional breaks and thinning of the clouds, so we could see El Sol.  Jamie and I were able to head out to the field and retention pond area in our neighborhood where folks brought camp chairs and blankets.  

I also brought a box of Moon Pies and distributed them to folks who wanted one.

Folks were kind of quietly excited, and I realized, thanks to my daily viewing of KXAN news and the breathless reporting they'd been doing on the eclipse for what had to have been six weeks in advance, I was quite the know-it-all about the cosmic event.  

Do bats come out for an eclipse?  NO.  It turns out that they work on an internal clock and are not paying attention to the sun.

I tried to take pictures to show the difference in how very dark it did get, but my camera auto-corrected, and you can't see the change.

I've been fighting allergies, so sitting outside was a bit concerning, but given this was a possibly-once-in-a-lifetime event, I girded my loins, and - giving Jamie a headstart to go chat with neighbors, eventually I headed out.

Honestly, it was an amazing event.  Writing it down is a little meaningless.  You've probably seen plenty of pictures or video.  And I'd argue being there with other people to witness the same thing is part of it.  For the people who were at big civic events, etc... I get it.

As the moon got into position, the sky absolutely got darker and the temperature dropped several degrees.  I wouldn't say the birds went completely quiet, but they certainly toned it down.  During totality, a small bird, maybe a finch? flew weirdly close to us, I would guess a bit confused and looking for cover.  I'd argue I noticed when the birds came back to making noise again a lot more than when it went away, which might have been gradual.

Likely because we were so close to the edge of the event, and because clouds would disperse light, we didn't experience the same total darkness I saw in Indianapolis or other locations on the same path.  I'd say it got as dark as twilight during summer when the light hangs on a long time and you can still see a bit down the street.  But the change was *fast*.  I was pulling my cardboard glasses on and off to look around, and every time I did, it was noticeably darker in the minutes leading up to the grand event.

My neighbor, Michelle, and I were pondering "oh, yes, you can see exactly why ancient cultures lost their minds about this" and I need to look into what another neighbor was describing about the ancient mounds built by the First People on North America, because I was vaguely aware of them for ceremonial purposes, but not their astronomic/ astrological significance.  

As the news had said, the totality was brief, maybe 90 seconds.  You can get a rough idea of what the corona or ring looked like in my pics.  

And, of course, these pics do it no justice.  It was genuinely beautiful and unlike even the partial eclipses I'd seen before.  And, due in part to the totality and the clouds, if you weren't just staring, you could look at it with the naked eye.

The sliver of light left just before totality is kind of lovely and almost sad, and then... the ring.  In our case it was white light shining through the clouds, just shimmering around the perfect circle of the moon.  Then, when the event is passing, you get the diamond on the ring as the first real rays of the sun break out at the edge and a spot of light formed on, to my eye, the lower left angle.  And it's really kind of lovely.

Did I eat a Moon Pie during totality?  Friends, you know I did, and it was perfect.

I don't know that I'm ready to chase eclipses around the planet, but it was something that will be locked up in my mind's eye, ready to remember.  Glad I saw it with Jamie and our neighbors.  

70's Watch: The Devils (1971)

Watched:  03/19/2024

Format:  Criterion

Viewing:  First

Director:  Ken Russell

Selection:  Oh, no one was going to watch this with me

Years ago I'd read about the Ursuline nuns of Loudun and their possession.  I have no idea in what context I'd stumbled across it, but it definitely stuck in the back of my head.  In fact, when The Little Hours came out, I thought it was a riff on this event (it wasn't, and I didn't watch much of the movie when I saw it on HBO).  

I wasn't actually seeking this movie out in particular.  I saw a Ken Russell movie was on Criterion, I like a good challenge of a movie from time to time - and Russell does provide that.  It had Oliver Reed and Vanessa Redgrave, so I figured - sure, let's give it a spin.

For Americans, the closest proximate I would suggest would be The Crucible - but notch it up to an NC-17, add utter madness to the mix, way too many people, and a chance to lose faith in humanity for a bit, and there you go.  

Yorgos Watch: The Favourite (2018)

Watched:  03/17/2024

Format:  Hulu

Viewing:  First

Director:  Yorgos Lanthimos

Selection:  Me

My viewing of Poor Things did finally get me to check out director Yorgos Lanthimos' The Favourite (2018).  I had intended to see this film eventually after seeing the trailer, but time is a slippery mistress.  Featuring four actors I quite like and what seemed like a curious sense of humor as indicated by the clips I'd seen, it seemed like a good time.

It was a good time.

To be clear:  I know absolutely nothing about British history, and the more I learn about the royals and monarchy, I feel pretty good about democracy and two-term presidencies.  As I said to my brother as we stood in Westminster years ago: "damn, this whole place is about 'get rich or die tryin'."

So, while I was aware Queen Anne existed, mostly because of architecture, furniture, I'd spent approximately no time learning anything about her until after watching this movie.  And if there's something that will send you down a Google-hole, it's an engaging two hour movie about melodrama run amok in the royal palace.  

Nuke Watch: Oppenheimer (2023)

Watched:  02/03/2024

Format:  Amazon

Viewing:  First

Director:  Nolan

Selection:  Jamie

I'd wanted to see Oppenheimer (2023) in the theater, but these days, finding the 4.5 hours it would take to see a three hour movie is not as easy as I'd like (once you add in travel time and previews).   That mission has now been safely accomplished via streaming services.

SPOILERS

When it comes to the historical figure of J. Robert Oppenheimer, I haven't done much more than the occasional Google-dive over the years.  I'd learned his name and some about his late-career in the early 90's (if he was discussed in my presence in the 1980's, I was not paying attention or didn't grasp what people were talking about).  

Meanwhile, an armchair interest in "wait, what?" about quantum physics in college had me do a shallow dive into the name-players of 20th Century physics, which I think has a bit in common with other early-days scenes, from comics creation to rock and roll when it comes to a clutch of personalities really kicking things off and influencing everything that came after.  

And, so, yeah, I was aware of how the work from Einstein and Bohr led indirectly and directly to the Manhattan Project via their acolytes and the threat of Germany having access to their own herd of physicists.  And, I knew that Oppenheimer's career took a turn for the worse in the post-war McCarthy-era we're in such a rush to return to.

I mostly had not read anything about the film, and attempted to avoid conversation about the movie - three hours is a long time to be considering other people's opinions instead of just watching a thing.  I am also aware any movie by Nolan will have detractors who don't dig his subject matter or his evolving style - and that's a tough place to start from if you let it get in your head.  

90's Watch: Quiz Show (1994)

Watched:  01/15/2024

Format:  Amazon

Viewing:  Second

Director:  Robert Redford

Selection:  Jamie

It's been 30 years since Quiz Show (1994) was released, and probably 29 since I've last seen it.  I'm now much older than Ralph Fiennes and Rob Morrow as our leads, and in the intervening years, the real Charles Von Doren, Richard Goodwin and Herb Stemple have passed (oddly with little in the way of news or media mention).

Sometimes watching younger film reviewers on YouTube or reading the film discussion of younger film enthusiasts, it's interesting to note the tilt to genre pictures of prior eras, and it's easy to forget that genre was largely in the margins thirty years ago.  At the time, something like Quiz Show was happily released by Disney when they had multiple outlets for producing movies for general and adult audiences - this one released through Hollywood Pictures (see also Touchstone and whatever their deal was with Miramax).  And we had name directors doing prestige pictures that were a thing to go see.

80's Watch: Gung Ho (1985)

Watched:  12/21/2023

Format:  YouTubeTV

Viewing:  Unknown

Director:  Ron Howard

You're remembering this movie a particular way because you haven't seen it in three decades and we've all grown up since then.  I hope.  But, I am happy to say - for a 1980's movie about Japanese executives coming to revive a Pennsylvania auto-plant, it's far less racist than you're assuming, while also being standard 1980's racist.

All I knew was that last night, Jamie looked at the menu on our TV said "Gung Ho?!  Let's watch that."  And we did.  Like myself, Jamie is often curious about how things hold up, and where they fit as cultural artifacts of the era.  And, first and foremost - if I needed to explain mid-80's America and what it was kind of like, especially what people looked like, I'd probably point them in the direction of Gung Ho (1985).  

The 1980's are remembered by the people who weren't there as a period of fun and excess.  It was Reagan-time, and we were feeling great as a nation!  We had action movies and cool pop music.  We had an existential threat of nuclear war, so we might as well wear huge clothes and watch shows about super-vehicles.

But, hey, we also had a few recessions.  We were coming off of the 1970's recessions/ malaise.  Manufacturing in the US was on the downturn and careers people thought would last a lifetime were ended as work went overseas or to Mexico.  I sincerely don't think The Kids(tm) know this sometimes.

Holiday Watch: It's a Wonderful Life (1946)

Watched:  12/21/2023

Format:  Amazon Prime

Viewing:  Unknown

Director:  Frank Capra

A few years ago, we covered this movie on the podcast.  I think Nathan and I did a lovely job of discussing the impact of the film on us as viewers and why it works.

Re-watching the film this year, I'm once again amazed at how well so much information - both plot and emotional - is conveyed in the movie and it never feels rushed or crammed.  It's only after you've seen the movie multiple times that you really process "wow, George had a whole lot happen to him on very specific days of his life", but that's also part of what makes it work.  Getting married during the week of October 28, 1929 was just a horrible time for someone in the building and loan business to have such a big event, for example.

And we aren't given a St. George for our George Bailey.  He's a normal guy with dreams that he can't pursue, and the only thing keeping him sane is probably Mary.  He's holding a lot in and holding a lot back every minute of every day, which all comes spilling out when Uncle Billy loses the money.  "Why do we have to have all these kids?" is maybe the craziest line in the movie.  But he's also already had it with Billy 15 years ago - he should have been at college if the guy could have taken over for his father.  And so-on-and-so-forth.  

It's the rare movie that acknowledges that people can break from giving up their dreams - or that they'd be put in an awful place for doing what seems right.  Hallmark movies have made a mint off selling the idea of giving up your dreams for small town domesticity - or at least shifting the dream that way.  And it's even less so that a movie allows a male character to snap after landing the house, wife and kids, especially in this era.*  This was post-war America, and we were winners!  

But I think George Bailey is all of us on some level.  Unless you're, like, Madonna, and only *think* giving your servants a second thought is magnanimous.**  There's a lot more George Baileys walking around out there than those who made it where they'd hoped, who gave up who they thought they were and dreams of where they'd be than any rando living at the top.  Even George's little corner of the living room, which goes unmentioned, where he's plugging away at drawings of bridges and buildings, still wanting to be an architect...  it's just kind of funny and sad.  And, God, that's too real.  It's no shock that he smashes it.

But at the end of the day, the movie works because the real message is just, if not *more* true - that all that matters, really, are the folks in your life and how you can help them.  It's not to say your dreams don't matter - but we also have to appreciate what we do have, and the people around us, and know that we matter to them, just as much as they matter to us.  And believing that we're not replaceable cogs is a very hard thing to process.  I imagine it was even more so in 1946, when you saw your friends drafted and shipped off.

Ironically, Stewart was a war hero, but wouldn't ever discuss it or use it in promotion.  He'd been drafted well before Pearl Harbor and exited the service as a Brigadier General.  During the war, he piloted 20 missions I believe flying B-24's.  But he also served as in command, and would remain in reserve until 1959.  He was as much Harry Bailey as George Bailey.

*I know - controversial!

**But Madonna gets a pass for whatever she's up to, here at The Signal Watch

180th Anniversary of "A Christmas Carol"

Turns out today, Dec. 19th, 2023, is the 180th anniversary of the publication of Charles Dickens' A Christmas Carol, arguably one of the most important works of English-language fiction.  Thanks to writer Neil Gaiman who pointed this out on social media, and who is currently doing his bit where he dresses up and reads the book, cover to cover, to a live audience.  

I'd love to see someone film that sometime.  The only audio book I've ever listened to was performed by Patrick Stewart, and, pals, I cannot recommend it enough.  I also recommend the film version he did.  

And that's really the thing.  Most of us come to A Christmas Carol through a movie or TV special, cartoon adaptation, puppet show or what-have-you.  And that's actually great.  I know mine was the Disney version with Scrooge McDuck and Mickey in key roles.  But I also grew up in the wake of the George C. Scott version.  And hit Scrooged at a key point in my teen-hood where it really landed, and not just because Karen Allen.*

I think I finally read the book in 8th or 9th grade.  What I really remember is that I was supposed to read bits at a time, and I did not.  It's short - Neil Gaiman can read it all in one shot, and Patrick Stewart's Audible version is like an hour and forty-five minutes - a fraction of your average Marvel film.

And, you know what?  The book is great.  I re-read it every decade or so. 

I don't need to explain it to you, which is a nice time-saver in writing about the thing.  You know there's a first ghost who warns about the other three.  You know there's some light time-travel and walking around as a phantom.  There's love lost and bitter childhood memories.  And there's social commentary aplenty, which has remained relevant year-over-year for the past 180 years.

In many ways, recognizing the echoes of the pre-reformed Ebenezer Scrooge's dialog is a shockingly easy way to spot a terrible human.  And yet, no matter how many times people see the movies or read passages or see plays, and, or. etc...  here we are.  

And so, the book remains endlessly relevant.

Movies may change things up - cosmetic bits like changing the look of a ghost.  Or minimizing or eliminating bits.  And the book's core remains intact.  Because it's a fantasy that those with no motivation to change their ways will somehow, through the hand of God where their own conscience failed them, be moved by humanity to be human, and not just an engine for generating wealth.  At the end of the day, how you'll be thought of in this life will be multiplied the moment you pass.  

Here's to another 180 years more.

*but also not not because of Karen Allen

  

Holiday Classic Watch: Holiday Inn (1942)

Watched:  12/04/2023

Format:  Prime

Viewing:  Unknown

Director:  Mark Sadnrich

My understanding is that this movie, released in August of 1942, landed hard with Americans as we were facing the reality of what was going to be a long and deadly war on two fronts.  More specifically, this movie features the screen debut of "White Christmas" (he's sung it on the radio post-Pearl Harbor in 1941), which Bing Crosby would turn into the best selling single of all time with 50 million copies ringing up the tils as it became a sort of anthem for wishing for a return to normalcy.  

Holiday Inn (1942) is a story about a musical trio breaking up as the singer (Crosby) and the girl are breaking off to start a new life running a farm in Connecticut when the girl runs off with the dancer (Fred Astaire) to pursue dreams of stage glory.  Crosby eventually turns the farm into an inn where he can put on shows, just on holidays, trading the dream of stardom in exchange for just having a bit of fun every once in a while.  

Along comes a new girl, and a series of shows for every holiday starting with New Year (after introducing "White Christmas" during the meet-cute).  Meanwhile, Astaire is dumped and returns to the Inn, and begins pursuing the new girl whom Crosby has fallen hard for.

Anyway, the story is just a framework for Bing Crosby to dooby-doo his way through songs and Astaire to knock your socks off.  Unfortunately, I don't think it leaves you feeling particularly great about a single person on screen except for Crosby's chef, played by Louise Beavers.  

There is mention of the war during the WWII sequence as the movie pauses to reflect on what we're fighting for in song, and shows film of our militarization and FDR at the mic.  While the film exists as light entertainment, its hard to imagine what July 4, 1942 was actually like as the country leaned into what was clearly going to be a multi-year effort in which we'd lose countless servicemen and women.  But what is apparently true is that Pearl Harbor occurred during filming and they decided to really step up the July 4th sequence.

It is likely you've heard several songs from this movie over the years.  "Easter Parade" gets trotted out.  And it's worth mentioning Crosby would team with Danny Kaye for the 1954 classic White Christmas while Astaire would beat him to the punch with 1948's Easter Parade.

I was surprised to see the version on Amazon Prime retains the blackface number (Lincoln's Birthday).  Though I remember seeing it on my TV Christmas of 1994 when I first watched the movie, basic cable cut the number decades ago.  And, yes, it is that bad.  It's also a plot point, so the movie can be marginally confusing without the number, but to keep it in...   Look, I am not going to tell you what should or should not offend you or what criteria should be used to play or not play a film.  I am fine with cable cutting the sequence to keep the film out there, and from an historical perspective, the movie is a reflection of the time in which it was made.  As film fan and historian, yes, keep it in.  As a person who knows this is f'd up, and always was - you can skip the movie altogether if you like.  There are clips of not-offensive scenes on YouTube.  Or, jump over the scene whilst watching.  You do what works for you.

We chose to ffwd through the sequence once we realized it was there.  I've seen it, don't need to see it again.  

There's a whole discussion to be had about how it seems the younger generation wants to deal with older media, and that's to stuff it down the memory hole.  And I'll argue some film historians are currently trying to make it seem that very-mainstream-Hollywood was out of step with the general attitudes of the public at the time of a film's release, something I think there's more than ample evidence to suggest is not true.  We can discuss at some point, but that's a lot to hash out.*

What it does mean is that Holiday Inn is a fascinating bit of history in a single Christmas movie.  The film spun off multiple hit singles we still know, it sold people on the idea of secular Christmas songs, it does some crazy stuff where part of the illusion in the film's final minutes is *showing* the pulleys and levers of the illusion right out in the open to create a secondary illusion (and showing how films were made in 1942).  It shows some really depressing racism, sexism, etc... and it's a time capsule containing war propaganda. 

Plus, two of the biggest stars of the era.  Happy Holidays, film lovers.

*this is 78 years after *slavery*, and 6 after Gone With the Wind.  It's not just your elderly relatives that were just wildly racist.

G Watch: Godzilla - Minus One (2023)

Watched:  11/29/2023

Format:  AMC IMAX

Viewing:  First

Director:  Takashi Yamazaki

Where to start?

Over the years, Godzilla has been many things.  Like Batman, he's been a children's character while also being a thing adults could appreciate.  But he's also been cast as a walking analogy in two very, very good films (Gojira and Shin Godzilla), a villain in others (Godzilla Returns and Raids Again), a dad (Son of Godzilla) a hero (most of the Shōwa era), a goof, a buddy, a ruffian...  

The American-produced Godzilla movies have done well financially, but, to me, struggled with an actual story until Kong vs. Godzilla.  But it would be misleading to say the Toho Studios produced films didn't struggle with same.  The Toho movies responded to the challenge by getting progressively crazier as the need to fill screen time with something other than expensive monster fights (models and custom 7' rubber suits are not cheap) became a clear necessity. 

To fill that run time*, both US and Toho films needed a story for humans - humans that Godzilla likely will not even be aware of during the course of the film  - that is compelling and meaningful.  But, man , have the results been mixed.  You get aliens, faeries, conspiracies, what-have-you.  And some of that is great!  Final Wars is like a party of a movie.  Watch it sometime.

Harry Belafonte Has Merged With The Infinite

Actor, singer, activist and icon Harry Belafonte has passed at the age of 96.

Belafonte appeared in innumerable films, on television and was a popular recording artist.  Because I grew up in the shadow of his peak era as a performer, I knew him as a curious mix of "the guy who sang the Banana Boat song" and who would appear on television to weigh in on important topical issues - and be taken seriously.  Which is not something then or now that I or the culture give many celebrities leeway.  But as a player in the civil rights movement, Belafonte carried the torch forward for his entire life.

It was in college I came to understand his role as a Black man in film, and his broad appeal as a performer that helped him speak to everyone.  Of course, my first exposure to Belafonte was probably his appearance on The Muppet Show, which is a curiously moving episode.  

Here's to Mr. Belafonte, who fought the good fight.  

WWII Watch: Watch on the Rhine (1943)

Watched:  03/12/2023

Format:  TCM

Viewing:  First

Director:  Herman Shumlin, Hal Mohr (uncredited)

I had never seen Watch on the Rhine (1943), which is a bit odd.  It stars Bette Davis, who is tops in my book.  But, the real reason is: back in the early 1990's I was a high school drama kid.  In the spring of 1992, I worked tech support and understudy on Watch on the Rhine, which my school took to UIL One-Act Play competition.  We trimmed the show down to a 40 minute version of the 1941 stage play,* which I guess I ran through dozens and dozens of times.

The play was a formative experience  for multiple reasons, not least of which included pondering the content of the play every day for months on end.  But, still, I was sixteen when I read the play and just turned 17 when the experience was over.  So my perspective was widened but life hadn't come at me.  I didn't yet fully grasp the forces at work, what had happened in the decade or more before the war, how WWI led directly to WWII, and that the world is not a simple place and always 100 times more complex than you believe at first blush, ways that inform the movie and play.

President's Day: James Carter - the 39th President of the United States

Former President James "Jimmy" Carter is on my mind these days as he is, at age 98, entering hospice care.  

Perhaps now more famous and liked for his post-Presidential career than his time during office - a period during which I would not envy anyone who was in the White House - Carter may not be with us much longer, so now seems like an opportune time to remind all of us who Jimmy Carter is other than a nice old man who spends a lot of time volunteering for Habitat for Humanity.

Carter was born and raised in Plains, Georgia, where his family had a peanut farm.  He would leave to go to college, finishing as a Naval Academy graduate, which led to his military service aboard submarines in both the Pacific and Atlantic fleets.  Clearly he had something going on upstairs as he was selected to study reactor technology as nuclear submarines came online.  Yes.  He's a nuclear engineer.  

Doc Watch: Harlan County, USA (1976)

Watched:  01/14/2023

Format:  HBOmax

Viewing:  First

Director:  Barbara Kopple

One of the things I wonder about as The Kids have decided that labor movements are a fine idea and that they should unionize is if they're well educated on the incredibly bloody history of labor movements in the US.  I'm not recommending one path or the other (I am, but this isn't that blog) but things tend to get really dark when the operators see the minions getting organized.  

To a 20-something working at Starbucks in 2022 or 2023, it may seem like the good fight, but in the places Starbucks tends to exist, you can usually just pick up and go work somewhere else if the deal isn't what you want.  And, of course, 1972 is ancient history when old-timey things happened.  Like the events of the documentary, Harlan County, USA (1976) a film about striking coal minors in Kentucky and the various factors at play and persons involved. And it's as far removed from today's labor conversations and the way work once worked in the US as the Pullman Strike is to organizing baristas.

Doc Watch: Call Me Miss Cleo (2022)

except, literally everyone knew she was a fraud and the network a scam?

Watched:  12/28/2022

Format:  HBOmax

Viewing:  First

Director:   

Celia Aniskovich, 

Jennifer Brea

I dunno.  

This doc is weirdly under-developed and under-researched for something that's getting a fairly well-promoted release on HBOmax.  If I was Perry White to this team's Lois Lane, I'd say "you have a lot of facts.  You haven't proven anything and there's no story.  Get back out there."  The doc feels like it's something handed in at a deadline, not something actually something complete, and the final bit that tries to give Miss Cleo absolution feels like the last great con a successful con-artist pulled from beyond the grave.

Maybe the spirits DO talk to us!

But you'll get more facts without any of the tediously dramatic build up out of the anemic Miss Cleo Wikipedia article.  Somehow the doc misses that she had a child?  

SW Reads! Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock

Author:  Dr. Christina Lane

Year Released:  2020

Format:  Audio Book and Book

A while back I learned of Dr. Christina Lane's book, Phantom Lady:  Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock, which ticked a lot of boxes.  Lane's subject matter covered an area with which I had some familiarity - 1940's and 50's Hollywood (I don't claim an encyclopedic knowledge, natch).  The focus of her exploration was a person I didn't know anything about, but whose work I actually knew.

A biography of British-born film writer and producer Joan Harrison, it turned out that I had seen - and very much enjoyed - films produced by Harrison, not least of which was the eponymous Phantom Lady.  As one would guess, Hollywood was not overrun by women in positions of management or executive decision making in the 1940's and 1950's, and so I was curious enough, but then Lane was also featured on TCM's Noir Alley series as a guest, discussing Harrison in conjunction with some of her films.  I was sold.

Madeleine Albright Merges With The Infinite

 

Madeleine Albright, a woman of legendary accomplishment, has passed.

Albright was the first female Secretary of State, and had the intelligence, personality and skill one would expect of a trailblazer at such high levels.  Her deftness in diplomacy was what you want out of a Secretary of State, and we saw her charm and conversational skills up front in an era where talk shows welcomed Secretaries of State and the population (a) could name who that person was before they took the stage, and (b) could watch them speak without shouting slurs at someone from a party to which they did not belong.  

But as a refugee first from Nazis and then the Communist takeover of Czechoslovakia, as someone who went for it in an era where expectations were she stay home and live a quiet, domestic life, Albright's pivot to law and public policy after becoming a wife and mother was notable, before she began her climb.  

Her tenure was perhaps one of few bright spots of the second half of the Clinton administration, though not unmarred by the challenges of the role and the expected disagreements in a political context, both from the right and left.  No one plays at that level and escapes unscathed.  

It was an amazing life and career, and I hope folks appreciate and understand what paths she created in the US and what she did for the nation as ambassador and Secretary of State.