Marvel Cap Watch: Captain America - Brave New World (2025)

Watched:  02/13/2025

Format:  Cinepolis

Viewing:  First

Director:  Julius Onah

It was hard to miss the negative reviews for Captain America: Brave New World (2025), which was maybe a good way to go in.  I already had pre-purchased my tickets, even knowing this movie has been delayed for months, had serious reshoots, and I'd noted Marvel was already pushing Fantastic Four and Thunderbolts as hard or harder than this movie.  

I also know that taking to social media and bravely saying "this new Marvel movie isn't very good" is the current cool thing to do, whether it's Quantumania, which fully deserves every iota of hate it got, or Deadpool and Wolverine, which was amazingly meta and a fun Saturday afternoon at the movies (and richly rewarded for the effort).

After numerous misfires and mid-level efforts, it's fair to say Marvel hit the point where the quality of what they do has slipped.  What I think folks fail to appreciate is that Marvel's long run of putting out fun, watchable stuff was singular and extraordinary.  No one else has come close.  And if you're younger, that's hard to appreciate.  In a couple dozen movies - they became an institution almost as much as the idea of the Western or Costume Drama.*   And, of course, being an institution rightfully means they're the ones to take down/ make fun of/ be skeptical/ cynical of, especially in their modern work.

At the core, I think the same problem plagues Marvel movies that plagues Marvel (and DC) comics themselves - which is that there's a crippling level of continuity in their sprawling universe, and that can be paired with the fact that Marvel seems unwilling to build any second-generation characters in the old-school fashion with their own mythologies, rogues gallery and *personal* continuities.  Characters like Sam Wilson just kinda loosely fit into the big picture and exist in the Marvel Comics U.  And that is how this movie feels.  Captain America: Brave New World operates more as a sequel to 2008's Hulk and other MCU continuity threads than it is a Captain America film.  Arguably, Sam Wilson is not the star of his own movie in much the same way, Steve Rogers was one of many characters with understandable motivations in Civil War.

Why Did I Do This Watch: Madame Web (2024)

the derp crew

Watched:  02/12/2025

Format:  Netflix

Viewing:  Second

Director:  SJ Clarkson

I swore I'd never watch Madame Web (2024) again, but I did.

A year on, it's horribleness has already reached mythic status in the superhero movie nerd community, and it's just growing in stature as Sony piles on Morbiuses and Kravens.  

I stand by every word of this lengthy discussion from last year.  

What I was trying to sort out was whether I just misunderstood the movie the first time, had I missed something?  Worse - was this just such a new take, and maybe a female-centric one I didn't get, that I was too hard on this movie?

Marvel Movies: Fantastic Four First Trailer Drops

oh.  okay, Marvel.  We're trying again.

There are so many factors that have played into Marvel's post-Endgame slump.  Too much content that felt rushed out was certainly part of it.  Not following up on concepts we did like (Shang-Chi, cough cough), and not taking care with the concepts we were iffier about (Eternals, cough cough).  

But the key issue for me was that the spirit of some well-loved characters just wasn't there on screen.  DC's biggest struggle from the comics - and I love DC - is that they lack consistent vision and character from creative team to creative team unless you're talking about maybe seven or eight characters.*  But Marvel has this down in comics - in part because Stan, Jack and the original bullpen laid down who these characters were with such a strong hand way back in the 1960's.

Yes, you get a James Gunn to come along and say "nobody knows who Rocket Raccoon is, so I'm just gonna James Gunn this @#$%", and that's great.  But Tony Stark is Tony.  Steve Rogers is Steve.  Natasha is Natasha.  And, frankly - and why I'll pay to see the movie - Sam Wilson is Sam (love me some Sam Wilson). But since?  I think our best take on that was The Marvels - and as much as I liked it, the last few minutes made me wish they'd pushed a bit harder.  Ant-Man and other movies just kinda slopped along. Who are all these characters and why do I care?

Due to licensing issues going back to the 1990's, Fox owned the Fantastic Four's film rights, and made 3 very bad Fantastic Four movies.  We talked about them at the PodCast a while back.  Part 1.  Part 2.  But Disney now owns Fox's movie wing, and therefore, has back X-Men and the FF.

I have some firm FF ideas in my head, and they're a mix of the very few comics runs I've read and a handful of cartoons.  But I know the Fantastic Four when I see it, and... y'all... this sure finally looks like the Fantastic Four to me.  There's no embarrassment at the idea, making it into whatever hokey mess the first movies were, or feeling like we needed to go grimdark, as the last movie did.  

Yes, this is just a trailer, but we see that Reed is Reed, Ben is Ben, Sue is Sue, Johnny is Johnny and... holy cats...  that there at the end is a big ol' gift to comics fans who have not understood why we couldn't see our pal, Galan, and his funny hat. 

I dig the idea of making this a retro-future movie existing in the multiverse (and surely bumping up against the main MCU).  The opportunity to put a real visual stamp on one of these movies for the first time in forever is deeply welcome.

We'll see how it goes!  They kind of had me at comics-accurate HERBIE and Ben in the kitchen.  They won me over with Sue being the backbone of the family.

Get back to what makes the characters work to begin with, Marvel.  And I think this trailer, at least, feels like they have.

*I actually count Barry Allen among those, and never was comfortable with the Justice League movie version of Barry

Streaming Superhero Media This Week: Penguin, Agatha, ElectraWoman and DynaGirl

Last week, DC and Marvel sort of went head-to-head releasing two very different shows, but with some interesting similarities.  Meanwhile, Jamie was scrolling my Amazon account, and Amazon (correctly) alerted me that the 1976 Krofft Superstars show, ElectraWoman and DynaGirl is fully available - and in excellent condition.

DC's take was to put out a very adult-oriented mob-show about what seems to be the rise of Oswald Cobb(lepott), better known as The Penguin in Bat-circles.  It's the spin-off from the successful The Batman movie, in which famed handsome-man Colin Farrell put on 40 pounds of latex and a fatsuit to play a character very, very well, that some critics (Paul) have called out for being a role any character actor in LA could have nailed.  And maybe he's not wrong.  

It's a show that's a wild take that has nothing to do with the source material, uses the name of the character  with only minimal care for the comics, and is doing it's own thing while using the DC label.  I do not expect Dr. Fate to show up and help out.

Fox/ Marvel Watch: Deadpool & Wolverine (2024)

Watched:  08/03/2024

Format:  Alamo

Viewing:  First

Director:  Shawn Levy

SPOILERS

And also a forewarning - this is going to be scattershot.  There's so much going on in this movie.

Superhero Fatigue Watch: Madame Web (2024)

Watched:  06/03/2024

Format:  Netflix

Viewing:  First

Director:  SJ Clarkson

The best part of Madame Web (2024) is that Dakota Johnson never looks like she wants to be here, either.

Let me start with:  this movie was insanely hard to finish.  It took me two days and hours and hours, during which I paused the movie, picked up my phone and then had to rewind the movie because I realized I'd stopped watching it in favor of seeing what was up on social media, etc...  It is boring and tedious and unlikable on almost every level.  I wouldn't even do it as a fun bad-movie watch party, because it's over-arching feature is that it's dull af.

I almost gave up, but, no, pals, your faithful blogger perseveres.

Marvel Watch: The Marvels (2023)

Watched:  11/09/2023

Format:  Alamo Drafthouse

Viewing:  First

Director:  Nia DaCosta

Marvel has been having some issues, of late, with quality and maintaining a fanbase.  I'm not sure why having a fanbase for sci-fi/ fantasy stuff means eventually that the absolute worst people on Earth feel like their opinions should dictate what the rest of the planet sees and what constitutes a "good" Marvel, Star Wars or whatever movie.  But I suppose it's the same reason that people think they get to tell other people they're the only *real* Americans.

I don't want to define the film Captain Marvel or TV show Ms. Marvel by the audience that manages to mix misogyny and racism into rocket fuel for social media, but I will say - in the event of this year's strike by SAG-AFTRA, it's been tough to get much in the way of promotion out there for The Marvels other than dropping trailers, and that's left a gap in the conversation those folks have filled.  It's more likely we'll see the occasional hit-piece by a major industry publication looking for clicks than Disney doing anything worthwhile to actually promote the film on their own.  We coulda really used the lead cast hitting Hot Ones and Good Morning America.

Look, I agree:  Marvel has put out too much content since Endgame, and that's had a deleterious effect on the overall quality of the material.  Even I have been asking "will this be necessary?" as I hear about each new Marvel thing still in the pipeline.  And sometimes you're watching, say, Loki Season 2, and you're thinking "I literally do not care what happens here" because something like "oh noes, the timelines will all collapse" is both meaningless, up it's own ass of the story being about itself, and insanely old hat to us aging comic nerds who've seen timelines and multiverses collapse and expand over and over for our *entire lives*.  And, yes, Superman will still get printed every month.

Movie superheroes still have to have an antagonist, and they still have to wind up in a big crescendo of a finale, but we've seen this dozens of times in the past fifteen years.  You can polish it, put a new coat of paint on it, but eventually it's someone in a slugfest with their evil opposite who has the advantage on paper (but not the heart of a hero).

So what you have left is what you can do with characters.

And that brings us to The Marvels (2023), Marvel Studios' latest offering.  

The movie has mediocre reviews and is tracking to open badly.  I haven't read the reviews, because (a) I already had tickets and was going, and (b) I kinda wanted to write this before I saw what Chris Spectacles of the Akron Observer thought of the film.*  And I didn't want this review to be me addressing the concerns of reviewers.  

I saw it in a 2/3rds full theater on opening night, and with not a child in sight.  I will say the following up top:  

First - there's no post-post-credits sequence to wait for.  Go home after the first couple of them.  This is not a trick.

Marvel Watch: Captain Marvel (2019)

Watched:  11/05/2023

Format:  Disney+

Viewing:  I dunno.  4th?  5th?

Director(s):  Anne Boden and Ryan Fleck

This is a kind of weird movie, and it's amazing it holds together.  It takes place in the late 90's, is very concerned with events of 6 years prior, hints at things that will impact Marvel in the future, and introduces two warring species, a 2-eyed Nick Fury and the origins of the Avengers Initiative.  It's got a *lot* of ground to cover.

But at the center of all that is a story about a former pilot who has been told over and over again to stay in line, that she's a mess if she doesn't have people telling her what to do, and that she lacks self-control/ is too emotional.  Ie: this is a movie working as a gigantic metaphor that is constantly saying "get it?  You see what we did there?"  And, of course, this created a cottage industry of very angry YouTubers who are still out there, four years later, getting clicks talking about how this critically and commercially successful movie is bad, actually.* 

Anyway, I like it.  It's a tight sci-fi actioner with a well-developed lead, well-considered supporting characters and a very interesting take on Young Fury.  I dig Larson's cocky test-pilot je ne sais quo, and the moments as she's realizing her own power (which comes in levels through the third act).  

Let's not forget this movie has Annette Benning, which should get it a high-five anyway, but she's having a lot of fun with the part and you'll kind of wish you got way more time with her Mar-Vell/ Lawson.  And, really, a gigantic, embarrassingly rich cast, including Lashana Lynch, Clark Gregg, Jude Law, Gemma Chan, Lee Pace, Djimon Hounsou, and the great Ben Mendelsohn.  And plenty more!  

A while back, we podcasted this one, and I'm sure it was a restrained and well-pondered podcast since I think we did it like an hour after getting back from the movie.  

By the way, I've never really gotten into Captain Marvel in the comics, but have tried to catch up here and there.  But she is, to me, a highlight of the MCU.  

Anyhoo, that's all the homework I'm doing before seeing the new movie, The Marvels, this coming week.  

*Like, people are still making these videos in 2023, which means not only are they still fired up over a single movie, there's people *watching* these videos.  Which.  Man.  You're allowed to not like a thing, but if you're still worried about it 4 years on, the problem isn't the movie.

Superheroes Every Day Guest Spot: Iron Man (2008)

Watched:  07/22/2023

Format:  Disney+

Viewing:  Unknown

Director:  John favreau

We guested over at Superheroes Every Day!  

Host Danny Horn was kind enough to have me on for a convo re: the first real Marvel Studios film.

Join us for all three acts of Iron Man (2008)!

Act I:

Act II:

Act III:

PodCast 245: "Spider-Man: Across The Spider-Verse" (2023) a KTB episode w/ Dug, Jamie & Ryan

Watched:  06/03/2023

Format:  Theater

Viewing: First

Decade:  2020's

Director:  Joaquim Dos Santos, Kemp Powers, Justin K. Thompson

For more ways to listen

It's a leap across the Spider-Verse, and that means bringing the gang together from across space and time. Join Jamie, The Dug and Ryan as we ponder the latest installment in the adventures of Gwen and Miles. Join us as spin a web of conversation, and try to decide if this movie is Signal Watch Canon.

SoundCloud 

The Signal Watch PodCast · 245: "Spider-Man: Across The Spider-Verse" (2023) a KTB episode w/ Dug, Jamie & Ryan

YouTube

Music:

Annihilate - Swae Lee, Lil Wayne, and Offset 

Calling -   Swae Lee, Nav, A Boogie w/ a Hoodie 

Marvel Movies Playlist 

The Signal Watch PodCast · Marvel Madness - Movies and More...!

John Romita, Sr. Merges With the Infinite

John Romita, Sr., one of the classic Marvel bullpen of creators of the 60's-era (and well beyond) has passed.  

Much as Carl Barks was "the Good Duck Artist" to a generation or three, Romita was, to me, THE Spider-Man artist.  Sure, he did plenty else, but his work on Spider-Man was so foundational to the character, his design and humanity brought to each panel, a key player in re-figuring the style at Marvel, and therefore the style of modern comics.  

The world of Spider-Man was surely full of colorful characters, but they weren't defined by their powers, they had unique personalities and character, and Romita brought it right to the surface.  

He was also the artist who brought classic moments we're still dealing with in comics.

Like, the intro of Mary Jane Watson.

and, of course, everything with the Stacy's.

And that's how everything ended up with Gwen and Captain Stacy.  Everyone cool and living happily ever after.

I love this era of Spidey.  It's the height of personal and super-hero drama, and has Spidey working in a milieu I think he operates in best.  And when I think of this era, sure I think the title is well written, but it's also the Marvel Method, which means Stan worked out a storyline with the artist and cut them loose, to come back and fill in dialog later.  So it's artistic storytelling, refusing to rely on text or words.

We'll miss knowing Romita Sr. was out there.  We lost a giant this week.

PODCAST @ Superheroes Every Day: Ant-Man and the Wasp: Quantumania (2023)

Watched:  05/19/2023

Format:  Disney+

Viewing:  First

Director:  Peyton Reed

Well.  I was going to watch it eventually.  

Danny (of Superheroes Every Day) and I talk the 2023 critical kryptonite and box office disappointment that is one of Marvel's greatest missteps to date.  Join us as we pick up this particular dud and keep turning it over to figure out what worked, what didn't, and how this thing even came out of Marvel Studios.

Part I

Part II

Part III

Marvel Watch: Guardians of the Galaxy Vol. 3 (2023)

Watched:  05/21/2023

Format:  Theater!

Viewing:  First

Director:  James Gunn

On Friday night I watched the mostly panned Ant-Man & The Wasp: Quantumania, and on Saturday spent an ungodly amount of time discussing the film with Danny for the Superheroes Every Day podcast.  Spoiler: it wasn't my favorite movie.  And so it was that here, deep in Marvel Phase 5, that I finally saw Guardians of the Galaxy Vol. 3 (2023).  

You'd have to listen to the podcast and read between the lines on other posts to know how I feel about Marvel these days.  It's an affection, but one that knows where we're at in the scheme of creation and the realization that what always worked will not always work, and that they're now on to properties that have always struggled within the Marvel portfolio, while still not dishing up a Fantastic Four movie that we all know is coming.

As has been largely agreed upon, James Gunn's Guardians of the Galaxy solidified the lessons of Iron Man (and to a lesser extent, Thor) and re-positioned how Marvel designed its films into action-comedies with heart.  GotG somehow, against all odds, managed to make you care about a tree with one line of dialog, an asshole space-raccoon, a manchild with knives, a mass-murderer, and a slacker with delusions of grandeur.  Plus a redneck pirate!  The heart part was a bit surprising as we watched our leads kill a ship full of pirates, etc... Not the usual side of superheroes.

Guest Podcasting: The Hulk (2003)

Watched: 04/22/2023

Format:  Amazon Prime

Viewing:  Third?

Director:  Ang Lee

Danny invited me back to his podcast at Superheroes Every Day.  This go-round, we are discussing the 2003 pre-MCU version of The Hulk, which features many things occurring, not least of which is Jennifer Connelly. 

As with all Superheroes Every Day movies, we break it up by 3 acts and discuss them, with parts released on Monday, Wednesday and Friday.  

Act I

Act II

Act III

Marvel Watch: Black Panther: Wakanda Forever (2022)

Watched:  Early February?

Format:  Disney+

Viewing:  First

Director:  Ryan Coogler

We watched this at the beginning of February when it was released.  I am holding comment until we re-watch and podcast it.  I won't spoil you on the movie or - I guess - what we'll say about it.

But I do need to note that we did see it, so here's a post.

Marvel Watch: Captain America - The First Avenger (2011)

Watched:  12/31/2022

Format:  Disney+

Viewing:  ha ha....  no idea

Director:  Joe Johnston

This was actually the last movie I watched in 2022.  I have cedar fever something fierce, so it was not really time to watch something new I'd never seen before.  So in between naps, I watched a favorite.

The movie has flaws, and maybe even feels like it's part of a wave of movies that came before the Marvel-era, which makes sense.  Directed by Hollywood staple Joe Johnston and with an eye toward what I'd consider the 1960's-era of WWII movies which inspired the Howling Commando comics it borrows from, it's also got a terrific old school story about a guy with a good heart and the girl who believes in him.  I recall concern when the movie was being made and headed to release that Captain America was too old fashioned and not in line with the view of today - not like hip, wise-cracking Tony Stark - and that's missing the point of Cap.  And the line Cap draws from what we know and acknowledge as outright evil in humanity worth fighting, and that that brand of heroism and clarity of purpose is something that absolutely makes sense in any era.

It's a Marvel villain who is truly villainous, not someone with a perspective worth considering - from the comics, I have wanted to hit the Red Skull with a sledgehammer for years before the movie, and the movie *nails it*.  

The pacing of the movie is also flatly incredible.  A two-hour run-time, it covers over a year of time, something other Marvel films don't ever really do, even if they include flashbacks (see: Captain Marvel).  I kept trying to find a place to pause the movie to do things that needed doing, and suddenly I was looking at the flying wing and knew we were in the last twenty minutes.  

And, of course, an all-star cast, which is maybe the secret-sauce to Marvel Phases 1 and 2.  Sure, Chris Evans was somewhat known, and Sebastian Stan, Hayley Atwell and Dominic Cooper unknowns here, but Tommy Lee Jones, Toby Jones, Stanley Tucci and Hugo Weaving?  Not a bad foundation of talent to make sure the kids knew what was what.  Throw in Neal McDonough as Dum-Dum and the rest of the Howling Commandos, and it's a fascinating mix.  

Anyway - this movie also produced one of the longer podcasts we did early on.  

A Century of Stan Lee

Today marks the 100th birthday of Stan Lee.  

It's hard to measure the impact of Stan, but it's sure looking like Stan, Jack and the Merry Marvel Bullpen may be among the most important and influential writers and artists of the past century.  

Among comics fans, Stan's legacy and life are hotly debated, but there are a lot of versions of the truth.  I understand the various viewpoints, but life is complicated and if anyone understood that and related it in a medium often caricatured for its simplistic morality plays, it was Stan.

When I think of Stan, I think of a guy who wanted to push a medium reeling from years of being a political pinata, that had become a punchline and a disgrace for many in America, and tell stories that were both wondrous and relatable.  That's not nothing.  Making gods feel like people you could talk to is no mean feat.  And, of course, the Mighty Marvel Manner of storytelling he pioneered with his colleagues has come to define how we tell serialized stories, inter-connected stories, and allowed for flawed and multi-dimensional characters.  

In the end, this meant Stan helped push the medium to become something of interest to older readers, college kids and created the life-long comics reader and fan and make the fantastic something that climbed out of the kiddie-lit gutter and into the mainstream - even if it meant getting off the newstand and into theaters, like he'd worked towards for decades.

Like all lives, Stan's was complicated.  The amazing, explosive success of the Marvel Universe of characters didn't come until Stan was on the edge of retirement - after decades of trying.  It took a generation of kids raised on Stan's characters in television, cartoons, comics, t-shirts and toys to become adults and start making the movies we always knew were possible - because those characters truly did inspire us and make us want to be better people.

Marvel Hall-o-ween-Hall-o-Watch: Werewolf By Night (2022)

Watched:  10/10/2022

Format:  Disney+

Viewing:  First

Director:  (checks notes)  Michael Giacchino.  Huh.

This fit the dictionary definition of "fine".  I'm not mad I watched it, I wasn't against what the story was trying to do, but as pal JAL rightfully pointed out, the Marvel machinery seems to have taken over for a portion of the film, and I'm not sure it was to the movie's benefit.  

Werewolf By Night is no one's favorite thing in comics, and if I'm tracing the lineage correctly, the character (Jack Russell, which surely is someone @#$%ing about) appeared in 1972 at what I'm assuming was part of the 1970's monster explosion as classic horror became hip for kids again.  But, also, the Comics Code was no longer nun-teacher strict about rules, and things like "no vampirism, no werewolfism" were stricken from the code.  

This thing is a kind of neat experiment by Marvel - making essentially a TV special that works much in the same way we used to get both the famous kids' stuff like Charlie Brown, but also some older-skewing fare.  Werewolf By Night is maybe 45 minutes, has a more humble budget than, say, Endgame, and exists as a fun holiday treat.  But it's Marvel, so it's also opening the door to the weird and horrific corners of the Marvel U from whence we get Blade the Vampire Hunter (still in development), actual Dracula, but also fellows like Man-Thing.  

But as a 45 minute, moderately budgeted film, it's also led by a first time director in Michael Giacchino, who you know as one of the current wave of actually very talented film scorers.  Why direct?  I have no idea.  But I do think, the oddball impact is that you can see what rails Marvel clearly puts around directors as a support system and to ensure certain bits of quality are maintained.  But, in this case, I'd say that's where the film gets away from them.

The film has the vibe of someone trying to borrow from Universal horror pictures who doesn't actually know what made up the 1930's and 40's Universal cycle of horror's look and feel.  It is definitely in black and white (which some Marvel horror was in the 1970's, natch), but it lacks a certainly visual moodiness and the weight of scenes moored by cameras the weight of an automobile.  I am not insisting that anyone shoot everything in American shots for 45 minutes on grainy film, but continuous camera movement is not how Tod Browning and James Whale were shooting movies.  It lacks the expressionistic ethos or methods used in both Universal and RKO horror - ie: anyone can turn down color-gradient, not everyone knows what to do next.  

PodCast 208 D: "Inhumans" (2017) - Episodes 7 & 8 - A Superheroes Every Day PodCast w/ Danny and Ryan

 

For more ways to listen

Well. Against all sense or reason, we did it. Our final episode of intense coverage of Marvel's "Inhumans" comes to lengthy conclusion as we try to figure out what is happening and why and to whom and if anyone might care. We'll ponder Rubbermaid storage on the Moon, moonquakes, and trying to use the same hallway set over and over. Let's ponder a royal family you might just want to rise up against yourself.

SoundCloud 

The Signal Watch PodCast · 208 D: "Inhumans" (2017) - Episodes 7 & 8 - A Superheroes Every Day PodCast w/ Danny and Ryan

YouTube

Music:

Paint It Black - Valerie Broussard

Don't Fear the Reaper - Denmark & Winters 

Superheroes Every Day Playlist

The Signal Watch PodCast · Superheroes Every Day

PodCast 208 C: "Inhumans" (2017) - Episodes 5 & 6 - A Superheroes Every Day PodCast w/ Danny and Ryan

this show contains a shocking amount of loitering in the woods 

For more ways to listen

Oh, the Inhumanity! We reach the plodding 5th and 6th episodes, which feel like a whole lot of filler and not a lot of thriller. Once you get past realizing Dave is one hell of a right-on dude, you're in for more casual disregard for the sanctity of life, slow working drug dealers, and trying to remember Sammy is on the show. Oh, and Maximus is very, very sensitive. Mostly, the show is filling space and killing time til we can get to the final two episodes.

SoundCloud 

The Signal Watch PodCast · 208 C: "Inhumans" (2017) - Episode 5 & 6 - A Superheroes Every Day PodCast w/ Danny and Ryan

YouTube

Music:

Paint It Black - Valerie Broussard

Don't Fear the Reaper - Denmark & Winters 

Superheroes Every Day Playlist!

The Signal Watch PodCast · Superheroes Every Day