True Crime/ Noir Watch: The Phenix City Story (1955)

Watched:  12/14/2025

Format:  TCM on HBOmax

Viewing:  First

Director:  Phil Karlson

The Phenix City Story (1955) was not at all what I was expecting from brief descriptions I'd read over the years when making a choice for what to watch.

First - Phenix City is a real city in Alabama on the Georgia state line.  Second - this is a true crime movie that was made in the wake of the assassination of a recently elected new Attorney General from the State of Alabama who was voted in on his promise to clean up the vice and corruption in Phenix City.

Phenix City sits across the Chattahoochee River from the larger Columbus, Georgia and near a very large Army Base, Ft. Benning.  Apparently, for decades and decades, that was enough to make the small town (about 24,000 people) into a place where one could gamble and pick up hookers while the locals looked the other way.  While Phenix City also had more churches per capita than anywhere else in Alabama, somehow the city basically turned a blind eye to the economic engine that is allowing your town to be Pottersville.  

The movie is wildly frank about this for a Hayes Code-era movie.  They murder children, on screen.  There's other acts of terrible violence.  It mentions and shows prostitution, gambling, etc...  and even discusses and shows prostitution offered in return for votes for the corrupt politicians.  I'm kind of shocked this movie isn't a much bigger deal just as a counterpoint to what people think is both the squeaky clean media of the Eisenhower era and a counterpoint to the dumbulbs who think things were all Mayberry in ye olden thymes.  

Christmas Horror Watch: Silent Night, Deadly Night Part 2 (1987)

Watched:  12/13/2025

Format:  Amazon?

Viewing:  First

Director:  Lee Harry

Sometimes horror fans complain that critics will say "this is pretty good for horror" or something of the like.  And I agree - that's a bit dismissive of a whole genre.  But my suspicion about why this happens is that sometime in high school, a person who would one day become a critic was with friends who rented something like Silent Night, Deadly Night Part 2 (1987), and their takeaway was "this is what you guys are watching?"

On its face, yes.  This is a movie with problems.  It's three years after the first film's release, and this sequel - put out well into the age of VHS where most people probably saw the first Silent Night, Deadly Night - spends 36 minutes doing a mix of clip show of the first movie and having our new villain/ protagonist relay the story of the first film to a psychiatrist.  Then it spends ~30 minutes relaying the fate of the brother of the first Kill Krazy Kris Kringle (our hero/villain) before it unleashes our guy onto the world, where he immediately goes after his abusive former Mother Superior.  

There is, to my surprise, an added bit of pretension at the end as we learn the surviving nun was the same woman our Second Santa avenged after near SA - killing the dude with a Jeep.  I did not think this was the sort of movie to include dramatic irony, but here we are.

By the way, I did figure out immediately that at some point I'd seen the first half of Silent Night, Deadly Night, but I must not have finished the movie.  

But if your critics' only takeaway was "that wasn't very good", I am afraid they're missing the point.  This is the opposite of "elevated horror" - this is Santa Exploitation Horror.  This is a mad man walking around a suburban street firing off something like 20 shots from a six-shooter while he laughs stiffly and badly.  This is a guy murdering people for talking in the movie theater and punishing "naughty" people with an axe to the head.  It's not scary - it's basically a comedy.

So does it succeed as a film delivering on that premise?  

I mean, I think so.  This is a Rental movie to watch while drinking beer, and maybe cheer a bit when some murders happen.  

Thanks to the merging of the first film into the first act of this movie, it's also a wildly overcomplicated movie for a movie about a guy who puts on a Santa hat to kill people.  And it's part of the movie's charm.

I am only sad that I watched it by myself.

One day I need to do a post about how maybe the usefulness of critics and awards is minimal, and that what really makes a movie survive is a culture that can sustain those movies.  And horror and the horror fanbase is amazing about keeping movies alive and making lowkey celebs out of people who made a cheap movie 40 years ago.

Chabert Watch: Slightly Single in LA (2013)

Ah, the "look at our galaxy of stars" rom-com poster.  Always a promising sign.

Watched:  12/12/2025

Format DVD

Viewing:  First

Director:  Christie Will Wolf

Editor's note:  we've decided to Thelma and Louise our way through the remaining Chabert filmography.  I've been looking to see if I can find the Chabert films I haven't seen yet via very cheap used copies or online (one way or another).  

Ugh.  

File this under "this movie was never aimed at me" but also "never write fiction that is a thinly veiled version of a story about yourself".

Christie Will Wolf (here listed as Christie Will) is the writer/ director/ producer of Slightly Single in LA (2013).  These days she's a prolific director and producer of Hallmark movies, and I've seen some of them in whole or part.  She also was the mastermind behind 2011's Holiday Heist, one of the hardest-to-watch movies viewed during ChabertQuest 2025.  

The movie is a rom-com/ would-be Sex in the City about the foibles of a group of women and their token gay friend (Jonathan Bennet).  The story follows around Chabert's character, Dale, who has had bad luck in love.  But what's played for comedy is merely comedy shaped but at no time made me so much as crack a smile.  The movie feels like it's about someone with terrible risk analysis and decision making skills.  But the movie is written, directed and produced by one person - who seems totally unaware that the characters are not just unrelatable, but deeply unsympathetic.  

This lead character sucks.  But she sucks the least of all of the characters, so... yay?

Chabert Christmas Watch: She's Making a List (2025)

Watched:  12/06/2025

Format:  Hallmark Channel

Viewing:  First

Director:  Stacey N. Harding

Job: Spy for the Naughtylist

Location of story:  Unclear but LA?/ Snowy generic USA

new skill: Empathy

Man: Andrew Walker

Job of Man: Restaurant consultant

Goes to/ Returns to: Goes to?

Event: Christmas Eve

Food: dessert pizza

Here you go, Randolph.

For a while, actor Lacey Chabert has been tapped The Queen of Hallmark Christmas.   At the start of 2025, Hallmark signed an exclusive contract with Chabert, and as far as I know, the only such contract ever signed by the media concern, locking in talent.  What numbers they had on hand to drive that decision must have been pretty interesting.

This year, Chabert would go on to star in a Halloween movie,  this movie - She's Making a List (2025) , and in January, she's starring in a movie about being stranded in paradise.  She has both her own product line in Hallmark stores, and Keepsake - a line of ornaments at Hallmark - released a Lacey Chabert ornament.  Not a "here's a Star Trek character" ornament, just a Lacey Chabert ornament.  

Just before starting on this post, NathanC sent me an article from Variety that states Chabert is filming a Hallmark movie at Disney World for Christmas 2026.  So, she's doing okay, if you're wondering.  

So, for Hallmark and Chabert both, a LOT was riding on the film.  Would all this investment pay off? 

Santa Watch: Violent Night (2022)

Watched:  12/06/2025

Format:  Peacock

Viewing:  First

Director:  Tommy Wirkola

LOL.  Oh my.

Really enjoyed this more than I should have, but I also really liked Deadly Games/3615 code Père Noël.  And after so many Hallmark movies, it's honestly kind of nice to spice things up a bit.

I guess the plot summary is:  An insanely rich family with government ties is taken hostage by a group of well-armed thieves.  Santa Claus happens to be in the house at the moment and gets involved, remembering how he was once a viking berserker with a war hammer named "Skullcrusher".  Things get intensely violent.

It's a knowing mish-mash of holiday favorites, from Die Hard to Home Alone, of having to fight back on the quietest night of the year.  

David Harbour plays ol' Kris Kringle as a miserable drunk, who bemoans - as one does in modern movies - the lack of meaning in Christmas and lack of belief in Santa.  John Leguizamo plays "Scrooge", the Hans Gruber of this bunch of international thieves.  Beverly D'Angelo - who looks great, btw - plays the cut-throat matriarch of the family.  Edi Patterson plays her alcoholic daughter with an obnoxious influencer son and a himbo actor boyfriend.  

The focal family with the young girl with belief in Santa is played by people I've never seen before, Alexis Louder and Alex Hassell, plus Leah Brady as Trudy.  

I guess I just loved how they manhandled some aspects of how holiday movies work - like the power of belief, of Christmas magic solving problems, how Home Alone works, and Santa's usual bag of tricks.

Anyway, it was a lot of Rated-R fun, and I was cackling.  A really good palate cleanser if things got a little too sweet for you in your holiday movie watching.  

Chabert Watch: Hometown Legend (2002)

Watched:  12/05/2025

Format:  DVD

Viewing:  First

Director:  James Anderson (I fully believe this is an Alan Smithee name for someone)

Editor's note:  we've decided to Thelma and Louise our way through the remaining Chabert filmography.  I've been looking to see if I can find the Chabert films I haven't seen yet via very cheap used copies or online one way or another.  This one set me back about $6.10.

First, this DVD, purchased as "used" from a Goodwill had never been opened.  Not since the movie was released in, like, 2003 on DVD.  It was wrapped in some sort of transport wrap from the seller, then the original shrink wrap, and THEN still had the vertical AND horizontal security stickers across the packaging intact.

This movie was produced by a Christian production company and some involved are still in movies.  As I bought this on a 2000's-era DVD, it has bonus features including a full Director's commentary I really want to listen to.  But, more importantly, there's all kinds of bonus content about Jerry B. Jenkins - which the DVD itself says is the most famous writer you never heard of.  Apparently he's the mastermind behind this movie?  And (deep sigh) the guy who wrote the Left Behind books.  And a bunch of other stuff.  This seems to be the Jenkins family parlaying their book money into movies.

But, yeah, he essentially uses the bonus features to promote himself.  Amazing choice.

Sellers Watch: Return of the Pink Panther (1975)

Watched:  12/03/2025

Format:  Simon's DVD

Viewing:  First

Director:  Blake Edwards

I never got onboard the Pink Panther movies back when it made sense to do so.  As a kid, they had some pacing I wasn't onboard with, and when I was really little, I was mad there was no cartoon Pink Panther in the movies.  Instead, it was that detective guy.

At the time, I wasn't aware of who Peter Sellers was, and I didn't ever tune in long enough to give the movies a real chance.  Simon has long found this baffling, so last night he brought over Return of the Pink Panther (1975), and -yeah, it's really funny.  

While it's a sequel, it gives you all the information you need.  Christopher Plummer plays a retired jewel thief who is framed for the robbery of the Pink Panther Diamond - the world's largest diamond.  Inspector Clouseau is called in to once again solve the crime of who stole the diamond.  

Obviously Blake Edwards and Peter Sellers didn't invent physical comedy, but there's certainly something hyper-specific about Sellers' Clouseau - the badly put in disguises, the walking Dunning-Krueger Effect of his real persona, and absolutely the slap stick...  You can certainly see where the ZAZ guys were getting some of their inspiration.

The movie co-stars Catherine Schell as Plummer's wife, and - showing me he's hilarious and I had no idea - Herbert Lom as Clouseau's boss.

Anyway, there are some very dated jokes (read: kinda racist) so proceed with the knowledge that the movie is 50 years old.  

Explaining jokes is lame, so I'm going to just offer this one up as a pretty dang funny movie.

Hallmark Christmas Miscellanea Watch: A Grand Ole Opry Christmas (2025) and Christmas at the Catnip Cafe (2025)

Watched:  11/30 and 12/1/2025

Format:  Hallmark

Viewing:  First for both

Director:  AGOOC - Clare Niederpruem / CatCC - Lucie Guest

Sunday we decided to lean into the Hallmark Season with their big dollar movie, A Grand Ole Opry Christmas (2025).  Monday I was doing other things and we let play Christmas at the Catnip Cafe (2025).  And it was a study in where Hallmark is going in 2025 with a more ambitious, less-boilerplate film versus classic Hallmark formula.

A Grand Ole Opry Christmas was a sincere time-travel movie about a woman (Nikki Deloach) whose father was a 90's country star in a Brooks and Dunn model, but he threw in the towel and quit making music.  A few years later he died, and she doesn't know why he quit making music.  She, and her best friend (Kristoffer Polaha), are transported to the mid-90's via Christmas/ Grand Ole Opry magic to learn what happened.  

Mean, Christmas at the Catnip Cafe is about a big city marketing exec (Erin Cahill) who inherits half of a cat cafe in small town upstate New York.  The other half is owned by an overworked veterinarian (Paul Campbell).  She wants to sell to buy a condo in LA.  He wants to keep his cafe open.  But they mutually wish to get to business time.

RomCom Watch: Happiness for Beginners (2023)

Watched:  11/30/2205

Format:  Netflix

Viewing:  First

Director:  Vicky Wight

We watched Happiness for Beginners (2023) because Jamie had read the book and wanted to check out how it was turned it into a film.  And because Jamie watches so much nonsense of my choosing, I wished to be flexible and watch a movie about Eat, Pray, Loving one's way through a long hike.  Plus, Ellie Kemper is fun.

And, yeah, I am very glad Ellie Kemper got a movie as a lead and was able to show some star quality other than making mad bank as Kohl's Mom.  I've mostly seen her play "wacky" and this wasn't really that.  Here, she's a woman in her 30's who just wrapped up a divorce and decides to go on the aforementioned days-long hike on the Appalachian Trail.  

Helen (Kemper) is accidentally joined by her younger brother's best friend, Jake (Luke Grimes) who accidentally also signed up for the same hike, and along the way she learns, laughs and loves, and the two hook up at the film's end.  Shocker.  (You will know this in the first five minutes of the movie.  This is a spoiler only if you have amnesia that makes you forget how every movie, ever, worked.)

Neo-Noirvember Chabert Watch: The Pleasure Drivers (2006)

Watched:  11/29/2025

Format:  DVD

Viewing:  First

Director:  Andrzej Sekula

Editor's note:  we've decided to Thelma and Louise our way through the remaining Chabert filmography.  I've been looking to see if I can find the Chabert films I haven't seen yet via very cheap used copies or online one way or another.  This one set me back about $5.

Truly a product of a particular decade, somehow The Pleasure Drivers (2006) arrived about seven years after that decade.  It's another LA-based low-budget crime movie, with this one peppering itself with vague philosophical aspirations, but what they are saying lacks any insight and is dumb.  And, the movie is entirely populated by characters who take their cues from how human beings behave from other movies, leaving us with weird third-generation xeroxes of motivation instead of anything identifiable as human.  

Everything about the film feels late-90's, part of the post Pulp Fiction indie boom.  It's three stories that loosely intertwine, and, of course, collide at the end.  But none of the three stories is very interesting and none of the characters terribly watchable.  

Noirvember Watch: Saigon (1947)

Watched:  11/27/2025

Format:  BluRay

Viewing:  First

Director:  Leslie Fenton

I was pretty psyched to see a new-to-me movie starring Alan Ladd and Veronica Lake.  And one that was set in a post-WWII Saigon.  I was very curious how they'd handle the dynamics of the French colonialism, Japanese occupation, rise of Communism, etc...  

Well, the answer is, none of that comes up.  In fact, I don't think there's a single Vietnamese person in this movie.  That's... wild.

I *do* like the basic idea of the plot.  

Three Army Air Corp soldiers in post-War China are getting discharged.  One of them doesn't know he has only 2-3 months to live due to an ailment (cancer?  something else?) but will likely just die suddenly.  So, the other two decide to show him the time of his life, which they can do if they take a lucrative but shady gig flying a businessman from Shanghai to Saigon.  

But when they go to get the plane and fly him out, the cops stop the businessman, while his secretary, Veronica Lake, jumps in the plane and they fly off.  The plane crashes in Vietnam, and they make their way to Saigon.  Along the way, the dying man falls for Lake (reasonable) while she spars with Alan Ladd.

Oh, and she has a briefcase full of cash.

And, as Lake humors the dying guy, she and Ladd start to fall for each other.

Anyway, it's super weird.  They treat it as if everyone in Vietnam is French?  Or vaguely European?  There's only one Asian person in the movie at the very beginning who sounds very Southern Californian.  

The movie is fine.  It'll never be a favorite, but when I was thinking "I don't think this is working", it kind of changed directions a few times and saved itself.  It fits into that "it's fine" category, but closer to "it's good".  But I just wasn't 100% on board.  But I maybe need to give it another shot.

Hallmark Holiday Watch: Holiday Touchdown - a Bills Love Story (2025)

Watched:  11/25/2025

Format:  Hallmark

Viewing:  First

Director:  Dustin Rikert

So, for reasons beyond my understanding, the NFL has entered into an alliance with Hallmark to produce movies about super-fans of their teams falling in love at Christmas.  

In no way will this get repetitive after 32 movies.

Despite some real star-power (for Hallmark) the first movie was a complete mess.  And I expected more-of-same.

Holiday Touchdown: a Bills Love Story (2025) actually solved some of the issues of the first movie but then blew my mind by trying to create a sort of MCU of NFL-themed movies by showing the characters from the first movie in this one.  And the magical Santa is in this one mucking with people's lives.

The last movie had some star power with Diedrich Bader, Richard Riehle, Ed Begley Jr., Christine Ebersole, et al.  What it didn't really have was much actual representation by the Chiefs players.  

This one had Joey Pantoliano playing a version of himself as a wacky uncle.  Our stars are Woman (Holland Roden) and Man (Matthew Daddario, who I didn't know, but people keep fan-casting his sister as Wonder Woman, and... fair).  They're childhood friends and neighbors, and the running gag is everyone knows he's pining for Woman.

There's lot of Bills-specific humor which I vaguely get, and lots of regional-specific stuff, which did not lose me, but sure felt like them making sure we knew they were in Buffalo and not doing the usual "we filmed in Vancouver, but please believe this is Arizona" thing Hallmark will do.

The pair find out Joey Pants has been receiving gifts every year from an anonymous source, going back to when he was drafted and this same anonymous person also sent his family groceries and money.  The movie is them solving the mystery.  

Along the way, they fall in love, blah blah blah...  but there's also LOTS of Bills players and coaches and owners and whatnot.  And the main character is a project manager on the new stadium, so there's lots of discussion about that.  But none about how expensive tickets are supposed to be in the new stadium.

I dunno, like a lot of the new Hallmark movies, it's actually kind of funny.  Not gut-bustingly, but I had a chuckle or two.  It feels more like a sitcom than a Hallmark movie.  And that is not a complaint.  Anyway, they fixed a lot that didn't work in last year's offering.

Thanksgiving Watch: Squanto - a Warrior's Tale (1994)

Watched:  11/24/2025

Format:  Disney+

Viewing:  First

Director:  Xavier Koller

I don't know that I've ever seen a movie make me decide, while watching an uplifting story that's part of the well-worn self-mythologizing of America, that the hero is 100% wrong.  But that's where I landed with Squanto: a Warrior's Tale (1994).   

And maybe that's what director Xavier Koller truly felt we should think.  He's Swiss, not American, and based on the script Disney gave him, it really isn't a compelling argument that Squanto was right that what his fellow locals needed to do was put down their weapons.

Before we get rolling, I have not thought about the narrative of Squanto since I was probably eight years old and we had a children's book about his life, which I can safely say:  I do not remember anything from that book, just that Squanto helped keep the Native Americans and the Pilgrims from murdering each other which led to the first Thanksgiving.  I also vaguely remembered he was not part of any tribe.

As the movie starts, Squanto is having a good week.  He just married Irene Bedard, which is a check in the win column.  But no sooner do they go for a lovers' leisurely stroll than he sees an early 17th Century British ship pulling up to his beach.  He's promptly kidnapped by the Brits who take him back to England, along with a warrior from the neighboring tribe.   

Doc Watch: Selena y Los Dinos (2025)

Watched:  11/24/2025

Format:  Netflix

Viewing:  First

Director:  Isabel Castro

Living in Texas in the early 90's, if you had your head up at all, you heard about Selena.  While I didn't listen to Tejano or Cumbia, she'd become so big that a dumb Anglo kid like myself heard Bidi Bidi Bom Bom somewhere along the way, and I admit that I probably paid more attention to Selena because she was very pretty with a Colgate smile.

I could tell you pretty much exactly when I figured out who Selena was from the cover of her album Entre A Mi Mundo.  The cover art was everywhere.  

Candidly, in the 1990's and now, the names of most Tejano acts were just not known by Anglos and English speakers.  But Selena was rapidly breaking down that particular divide through sheer force of scale - she was selling out the Astrodome, something reserved for the biggest acts on the planet - and wildly popular local acts like ZZ Top.  

As a Texan whose first language was English, it seemed like Selena was about to cross-over to a larger audience the second she put out a record in English (see: Shakira).

But then, in 1995, at the age of 23, Selena was killed.  

As popular as she was at the time of her death, it's very hard to quantify the scope and duration of the public mourning that spilled out.

Noirvember Watch: Ace in the Hole (1951)

Watched:  11/22/2025

Format:  Disc

Viewing:  First

Director:  Billy Wilder

If you ever wanted to crush the human soul with a pair of slick mid-century movies, you could do worse than to schedule this movie alongside The Sweet Smell of Success.  

The movie probably seems a little over the top in some ways, but holy christ, you kind of know it's more accurate about our relationship with the media and how the media keeps us invested than any of us really want to admit.  

Kirk Douglas plays a talented journalist who has been run out of every decent newspaper on the East Coast.  He rolls into town in Albuquerque in a broken down car and takes a job at a small paper that insists he publish only the truth.  

A year later, he's sent to go cover a rattlesnake roundup but en route stumbles across an accident.  At a roadside shop and restaurant they find that across the way the owner of the place has gone into an old cave where he often finds Native American artifacts, and the place had collapsed on him.  Douglas smells a story, and calls it in.  It's the first time he's really been able to cut loose with some real sensationalism, and the story gets picked up by the wire.

"Hallmark Channel's Christmas Concert" (2019) might be the Hallmark Channel's Star Wars Holiday Special

This item does not appear on the IMDB for Ms. Lacey Chabert under "actor", but under "self" so I'd initially missed it.  But it popped up on Hallmark as an option, and I wasn't going to not watch it.  

So, what is it?

It's a bizarre artifact of where Hallmark was in 2019, I guess.  And the watchword for the whole show is "awkward".  There clearly was a lack of rehearsal time, and a spirit of "we're pros, we'll wing it" that doesn't play particularly well.  No one here is Bob Hope and keeping this on the rails.

The show is *not* exactly a concert, but kinda, sorta framed like one of those old-school Christmas specials where a celebrity pretends they're in their house.  Lacey Chabert is throwing a party where other Hallmark stars are her guests, but she's also acknowledging the camera (and sometimes awkwardly looking at it).  

One-by-one, a series of Hallmark stars come in, and then they each sing a Christmas standard in what I assume is not actually Chabert's livingroom and kitchen.  But it's not a set - I'm pretty sure that's a real house.  No set would be this poorly designed for television coverage.

Chabert Holiday Watch: Matchmaker Santa (2012)

Watched:  11/20/2025

Format:  UP Faith and Family

Viewing:  First

Director:  Davis S. Cass Sr.

Job: Baker

Location of story:  Somewhere in California?  Outside of San Francisco

new skill:  Elfing

Man:  Adam Mayfield

Job of Man:  Bitch Boy to a CEO

Goes to/ Returns to:  Goes to

Event:  Christmas tree lighting ceremony

Food:  Cookies

Editor's note: I was unable to find this movie during ChabertQuest2025, but saw it was now available on "UP Faith and Family", and so got a 7 day free trial.

So, new to me and not a Hallmark movie, exactly.  This movie is about a Santa who will stop at literally nothing to make sure Lacey Chabert and her boyfriend break up so that he may force her into a relationship with someone else.  Kris Kringle will bend the very laws of nature, create life, destroy roads...  

This Santa is mad with power.

Anyway, for a long time, and maybe still, a lot of the movies on Hallmark were technically independent movies.  I am unclear how it works now, but basically Hallmark would help fund movies in exchange for North American distribution.  But after X amount of time, these movies were back in the hands of the producers.  And so it was I now am enjoying a 7-day trial of the UP Faith and Family Network.

Part of how Hallmark had so many movies in the years where it seemed like a factory cranking out way too many movies, this was the trick.  Hallmark was essentially licensing very cheap indie movies, and part of them funding those movies was that Hallmark was given script approval for kicking in some percent of the film's budget.  

And, thus, the sameness of Hallmark.  They managed to pull off low-risk/ high-reward for years and people learned to write for them.

Thus, Matchmaker Santa (2012) is also, technically, Chabert's first Hallmark Christmas movie.  So, bit of trivia for you.

But you want to know about Santa and his unstoppable interest in getting people to hook up.

Netflix Watch: Trainwreck - Poop Cruise (2025) and Balloon Boy (2025)

Watched:  11/17/2025

Format:  Netflix

Viewing:  First

Director:  

I will never, ever get on a cruise ship.

No, but seriously, it's a minor miracle that no one died on this ship.  Or contracted some awful disease.  

What were the odds no one needed to be evacuated after the second day?  Pretty close to zero, and it sounds like that didn't have to happen.  

What's most wild, that the doc touches on but doesn't really ever explore, is how *fast* society breaks down predictably when the lights are off.  From public fornication to Bible studies breaking out.   It really is a testament to the crew that things felt enough under control that violence was contained.  

But, no, really.  I always assumed Carnival, etc... had emergency plans for this sort of thing, but they sure do not.  Fun!

The "Trainwreck" series of docs is pretty fascinating.  Little hour-long nuggets of "oh yeah, that disaster".  We also watched "Balloon Boy", which is just as frustrating to watch as you'd imagine.  If you have any radar for people who are both full of shit and people who think they can lie to you because they assume you're not as smart as they are, this is a doc about someone living neatly in that intersection.  

Also, everyone needs to get a better idea of how much helium you would need to lift a whole kid and still buffett around like that.  But I guess physics is not on your mind when you think a kid is whizzing through the sky.

Hallmark Holiday Watch: Three Wisest Men (2025)

Watched:  11/16/2025

Format:  Hallmark

Viewing:  First

Director:  Terry Ingram

Three Wisest Men (2025) is the third film in the very popular (for Hallmark) Wise Men series.  We previously covered the first and second installments.  

The problem with this movie is that we've established not just three characters, but their mom, spouses and partners, children, etc...  and it is not a small cast.  And everyone needs to get a plotline.  So it's a lot of movie.  I couldn't help but notice that this one was an "extended cut", which means whatever aired with commercials had less movie, and I have to assume that made this even more of a jumble.  

From a business perspective, it's a fascinating peek into how Hallmark now functions like an old-school studio with their constellation of stars.  

Noirvember Watch: Blind Spot (1947)

Watched:  11/11/2025

Format:  TCM Noir Alley

Viewing:  First

Director:  Robert Gordon

A cheap and cheerful B-noir from 1947, Blind Spot is a quick watch that depends on charm of its talent and two or three gags to keep it moving.

The film was programming on TCM's Noir Alley, which I confess I am not watching as much as I should be of late.  The good news is that I found myself, once again, enjoying the intro and outro by noirista Eddie Muller as much or more than the movie.

This film follows an alcoholic writer of novels with an artistic bent (Chester Morris) who, while on a bender, goes to his publisher's office to try and sneak in and tear up his contract, which he has decided is unfair.  While there, he meets a sultry blonde (Constance Dowling) and argues with his publisher in front of a successful writer of mysteries (Steven Geray).  It is suggested that Morris switch to writing mysteries to make more money, and he agrees to do so.

He retreats to the bar in the lobby of the publisher's building and makes time with the blonde, who has just quit after the publisher got handsy.

That night, the publisher is found dead, and Morris seems to be the suspect.  But the evidence is circumstantial.  

It's a lost-time mystery as the now sober Morris tries to pull the pieces together, including possibly condemning himself as the murderer.  It seems the technique he dreamed up for his own murder mystery novel is what was used to kill the publisher.  Meanwhile, both Dowling and Geray are working overtime to assist the writer.

It's no award winner, but it plays like a solid novella or short story, and the characters are colorful.  Morris and Dowling play very well off each other, even if she seems drawn to him for absolutely no reason.  And part of the cost-savings appears in overly long scenes where the same ideas keep getting conveyed as we work to fill the necessary runtime.

It's absolutely not crucial viewing, but you could do way worse.  Oddly, it would also fit in neatly with Criterion's current "Black Out Noir" showcase of film's where a lead is trying to account for lost time while they were drugged, asleep, drunk, hallucinating, etc...