Watched: 11/06/2024
Format: Disney+
Viewing: First
Director: Laurent Bouzerau
I don't have a special relationship with the music of John Williams - we *all* have that relationship.
Music lays there in your mind somewhere next to the smells of your grandparents' basement that will come back to you when you smell something similar, or the taste of the food from your youth. And John Williams' music was as important to us as pop, as Christmas music, as *anything* we heard growing up.
Of course there are other great movie composers... but probably the vast majority of them I'd put anywhere in the category of Williams are dead. And none who seemed to hit with every score.
My earliest memories are of John Williams' music. As a very small kid, post-Star Wars, we'd Imperial March around the house. I remember the Christmas after Empire came out, my cousin Susan had purchased me the two-record soundtrack, and I lay on the floor listening to it over and over.
Now, I get teary hearing Leia's theme - and have since Force Awakens reused it as Leia came off the ship. I still feel my pulse quicken to the Indiana Jones theme, or Superman. I feel that pit in my stomach when I hear the Schindler's List score, or swell with wonder with Jurassic Park and Close Encounters. Or ET.
We could probably rattle off his scores all day. He's made plenty (I about gasped when I saw Home Alone for the first time since high school a couple of years ago and John Williams' name was on the film). Honestly, it's staggering how prolific he's been, and that's part of what the doc tries to cover. It's not just one Star War - it's 9. It's not one Indy movie, it's 5.
For reference, IMDB has him with the following telling stats for credits
- Music Department: 321
- Composer: 177
- Soundtrack: 517 (this is a mish-mash of work he did used on films - like "Superman Main Titles" being used on Superman IV)
I will be honest - I found out I knew absolutely nothing about John Williams while watching the doc. My assumptions about who he was, his background, his education... all completely wrong. I won't get into his background - that's in the doc. But I will say that if I appreciated Williams before, I'm in absolute awe of him now, and don't just think he's a genius, he's a prodigy.
I was also unaware of his personal tragedy, or how he fell in with the biggest filmmakers of the past several decades.
The doc trots out a who's-who of personalities, none of them a lightweight, to make their arguments for Williams, to talk about their experience working with him, and it's all a delight. I am fine with the narrative that Williams' genius is innate, he's kind, etc... the man is the greatest possible argument for the value of sound in movies, and maybe the last great orchestrator for film.
And, yes, I don't understand why - in this era of franchise pictures - we don't have more folks emulating Williams.
What I agree with - and looking at the listings for the Austin Symphony bares this out - is that film music is now as serious and important to symphonies as anything. Sure, you still have the heavy hitters - some Mozart, Dvorak - but there's the show the whole family will dig. John Williams.
Anyway - watch the doc. I found myself getting a bit emotional. That music has a hold on you and taps into something pretty serious, and hearing all of it together is *a lot*. But watch the doc and learn more about the man and the myth.
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