For years, I've had a Superman comic on my wall in a frame. It was a curious moment in comics history - and/ or Superman history. A much ballyhooed signing of a popular television and movie writer to the title Superman had gone south and the writer had basically walked off the book. A new writer - a local writer! - came in and took over Superman and... saved the day (thanks, Chris Roberson!).
Roberson's work was great - that's another post - but Cassaday on this cover, as he'd been covering the title for a minute, was perfect. It was Superman, lit from below, iconic, symmetrical, lantern jawed and strong without seeming impossible - a perfect design in my book. And to this day, looking at that cover is one of the images I have in mind when I think of the wonder that Superman can be.
Cassaday's work is some of my favorites from my adulthood, full stop. His character work was astounding, his lines clean, his ability to convey emotion and meaning with a gesture insane. His interiors were gorgeous, but I assume he just made so much more money doing covers, he just had to give it up. I don't remember the last time I saw Cassaday doing a full comic book.
Like many who survived the 1990's comics market, I came to him through Planetary - a joint with Warren Ellis that was one of those comics you just waited months for because it took that long to come out. I won't go into what Planetary was about, but now I wish I had the collections. Maybe DC will reprint it all. It was a gorgeous, insane book spanning a secret world under our own and a brilliant concept.
He drew the Captain America I suspect they looked at *hard* when Marvel Studios was pondering how they'd portray Cap (yes, I know about Hitch's work... I stand by my statement). Chris Evans seems much more the Cap of this post 9/11 run that changed Cap forever than he seemed Ultimate Cap's pain-in-the-ass American fighting man.
And, of course, his Astonishing X-Men is legendary. His Lone Ranger work should have been far bigger than it was.
It's always a tragedy when someone passes. And when someone who's work you like goes. And worse when they're just 52.
But we're comics-folk, and in fifty years, some comic nerd is going to be waving images of Colossus in his hand, talking about Astonishing X-Men and the great John Cassaday. Someone is going to have his Superman as their lock-screen. Someone is going to learn that Planetary was a comic in 2002 before it was a movie series starting in 2040, and they'll stare in wonder at what the human hand and eye could do.
Your work will be missed, sir. And if the outpouring of grief online is any indication, you will be missed by the talent you worked with, the pros you knew and the fans, who universally attest to your kindness. Not a bad legacy.
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