Watched: 07/23/2024
Format: TCM
Viewing: First
Director: Anthony Mann
I have a few beliefs I will drop on people that seem to get a puzzled look, but one of those is that Jimmy Stewart was one of the 20th Century's best actors. After playing "nice guys" (and a casual murdered in After The Thin Man) as a young actor, post WWII, he sought out more challenging roles, and showed he could also play a real SOB. Never a villain that I've seen, but reluctant heroes. The Far Country (1954) is one of those films in which he is an ambivalent dick until, oh, the last few minutes of the movie.
Directed by Anthony Mann, the movie takes place during the Yukon Goldrush, which I know about almost exclusively via how it shows up in comic books (hello, Uncle Scrooge) and movies. And, frankly, this movie left me wondering if Don Rosa's take on Glittering Goldie was influenced by Ruth Roman from this movie.* And, yes, I'd put this in queue in part because it co-stars Roman.
The movie is full of familiar faces from Westerns - Walter Brennan, Jay C. Flippen, Jack Elam, Royal Dano, etc... and some others like Harry Morgan and Kathleen Freeman who I relate more to the modern era (Ie: They were still in new things while I was coming up). It also has someone I'd never seen before, French actor Corinne Calvet, who plays an unrequited love interest to Stewart, more or less trying to follow him around The Yukon.
I'd seen John McIntire in other things, but he's kind of great as the devious lawman, Gannon, playing Sheriff, judge and executioner in Skagway - the waypoint for people entering the Yukon territory before they cross into Canada and reach Dawson. He's more or less taking advantage of the relative lawlessness of the area to seize whatever he can, throwing anyone who complains into jail - or into a noose.
Meanwhile, Roman plays Ronda Castle, who runs a saloon in Skagway, where she also pays out for gold, while finding ways to skim from and screw over the miners in order to make a healthy profit.
After a brief legal skirmish that puts Stewart in a bad spot, Roman hires him out to lead her ride up to Dawson. Along the way we learn that Stewart is dedicated to covering his own ass above all else, and - this matches pretty well with Roman's worldview. But along the way and in Dawson, they begin to see people trying to build a town out of the seasonal camp.
Gannon, the shady lawman shows up, and we get a pretty rote Western where some bad dudes push around a bunch of seemingly helpless people. He may be a bad guy, but you kind of like him, anyway. He's such a heel, but honest about being a heel.
A few things make this an A picture over a bit of Saturday afternoon B programming.
In 1954, Stewart was a box office draw, and Ruth Roman was doing well enough that she gets second billing, despite limited screentime. It may be folks you know from Westerns, but this is a collection of some of the greatest-hits-type supporting actors. No one is dialing it in, even if they're playing to type. And Stewart and Roman's mutual arcs toward realizing you really can't live out your libertarian fantasy on the back of a saddle if you want a civilization - or any human connection - is well written if not particularly moving/ telegraphed.
I quite liked Corinna Calvert, and am surprised I don't know her from other things.
The movie is shot in part in Canada, on location. And, holy cats, is it beautiful. That's a part of the world that's on my bucket list, and now maybe even more so. It's actually shot in Alberta at Athabasca Glacier, Jasper National Park and other locales. So while you do get some scenes clearly shot on sets, others are out there in the wild, and it adds considerably to the movie.
The look is enhanced by careful lenswork of William H. Daniels, who knows how to get that sweeping vista you're looking for.
But, yeah, if you only really know Jimmy Stewart as George Bailey, this is a good one to see his range (not that you don't see a bit of everything in It's a Wonderful Life). And a chance to see a Western that's pretty darn far west and muddier than it is dusty.
*I'll have Stuart ask next time he haunts Mr. Rosa's signing table.
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