Watched: 05/31/2024
Format: Disney+
Viewing: 2.5th
Director: Byron Howard, Rich Moore
Selection: Joint
Zootopia (2016) is one of the movies I really wish I hadn't missed in the theater. Yes, yes, the story is actually great as both cop story and metaphors we could learn a lesson from. But, visually, it's mind-boggling. And hilarious.
No, it doesn't have the completely insane experimentation and visual dynamics of the Spider-Verse movies, but what does? What it does have are a million ideas and gags, a lot of very clever stuff relating to the animals of varying species and sizes. It's got crazy good design that feels absolutely coherent despite numerous changes of scenery and "worlds". And, I dig the character design like crazy. Every single character is a great example of how you take an expressive character doodle from page to 3D.
I'm sure Michero could weigh in more on what this movie does well visually (the lighting in the jungle sequence is tricky and great, imho), but - if nothing else - pause the movie and look at the backgrounds, look at the DVD covers, have a good laugh at the Disney film in-jokes (I just noticed the weasel is named Duke Weaselton, and that is gold).
But, yeah, the story has some meat on it. Alone, Judy's story of "believe in yourself and you can do anything" is *fine*. I'm not going to tell people, especially kids, that it's not a good 'un. But Nick's story and how it reflects on the sins of Zootropolis - and what it all says about how we try to live together in urban environments, is really great. As is the "othering" to claim power that was way, waaaaaay too prescient in 2016 that I think it lands better in 2024 than it did then.
Anyhoo... I also just like the two leads. They're well-conceived. I dig that Judy is the eager do-gooder, but still feels like she's that way because she believes in the dream of Zootropolis. Nick Wilde is fun as the hustler, but they know where to set the dials so he doesn't seem like a cliche - and, of course, has no illusions about Zootropolis. They're not as dewy eyed as the princesses. Kids aren't likely to dress up as Nick and Judy, but I think they play as well as any buddy-cop, post-48 Hours duo is like to.
The writing is solid, and it's dropping some funny stuff beyond the visuals, without relying on so much of what's become the go-to of falls and farts in kid's cartoons. I will forever enjoy the wee Godfather reference and his bee-hived daughter. And, man, do they commit to the bit with Flash and the DMV workers. That's next level.
It just seems like this movie was a hit at the time, but didn't really stick in the US (evidence tells me Asia embraced it more than we did). It did a billion with 65% of that overseas. And Shanghai just got Zootopia land, which I think people here would find odd.
If nothing else, it's got Shakira playing a Gazelle, and that's good movie.
2 comments:
Nice review, and I had so many favorite Easter eggs.
* The Don's daughter speaks in Long Island accent (location of the Corleone grand mansion) is a cute bit.
* Nangi the elephant amid the "Elephants never forget" stereotype notices nothing, but the stoner gnu (Tommy Chong), instead, notices everything.
* The assassin sheep in yellow tyvek suits are named "Walt" (White) and "Jesse" (Pinkman).
It's just clever stuff.and somehow manages to never feel forced or too cutesy. Really hard to find that balance
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