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| This poster is a liar, and sells a movie that this movie is not |
Watched: 04/15/2024
Format: Criterion
Viewing: First
Director: George Sherman
Selection: It is I
This has the feeling of an article or short story ripped from the headlines and turned into a movie, but I guess was an original screenplay. Curiously, Richard Conte starts the film by directly addressing the camera as himself, explaining that they had actual access to Bellevue Hospital where the filming occurred.
Admittedly, the location shooting provides a certain believability and grit to the movie, as does the look inside how hospitals were functioning in 1950 - with direct throughlines to how they work today.
The film opens on a young doctor murdered by an unseen assassin as he paces near the hospital, clearly distressed. Unable to find a motive for the murder, a suspect, etc... the cops decide to plant their own inside the hospital. And, here, you need to suspend disbelief. Conte, 40 here and looking at least that old, plays a cop posing as an intern. The hospital lets him come in as a doctor with a couple of years of "Pre-Med" under his belt and having had served in medical units during the war.
Placed in the Trauma Unit, he partners with Coleen Grey, the head nurse, and the two hit it off romantic-stylez.
Apparently doctors would room *inside* the hospital, which seems problematic for any number of reasons, but must have been a real thing. Conte's roommate first says he's leaving medicine and marrying Peggy Dow, which sounds like a plan, but he soon winds up dead.
SPOILERS
With the new angle, Conte digs into what's happening, and figures out that the wacky elevator operator is actually front man for a bookie. And being a clever fellow, he knows how to set things up so that the doctors get in over their head, and have to start stealing drugs in order to pay off debts. Once that starts, he squeezes them.
Oh, and Coleen Grey is in on it, using her cut to pay for a sick kid's treatment and then getting in over her head.
The movie itself is... fine. It's helped immensely by the location shooting, borrowing from The Naked City's concept of you are there! to lend credibility to the proceedings. And the actual architecture of Bellevue is put on display.
Buying that a hospital would allow a cop to pose as a doctor is a monumental leap of faith - the liability seems insane, not to mention the ethical lapse. And that no one sorts out the fact he doesn't quite know what he's doing... Like, seems folks would notice that. Or you'd hope they would. But Conte is a favorite around here, and I liked him in the part.
Peggy Dow is only in the film for a scene and change, but she does make an impression, and I was impressed with Grey's entire portrayal, especially her final scenes.
I can't really say why the movie wasn't my favorite - maybe it takes too long to sort out what's happening and the mystery wasn't all that gripping. But the location and the back 1/3rd of the movie make it worth checking out as more than a curiosity.
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