Watched: 09/15/2023
Format: Drafthouse
Viewing: Unknown
Director: Nolan
SimonUK and I attended a 15th Anniversary screening of The Dark Knight, arguably one of two films that set superhero movies on their current trajectory from 2008 (Iron Man being the other), as DC and Marvel made their way from "huh, superheroes are a fun novelty" to "please stop it with the superheroes".
It has been years and years since I've returned to The Dark Knight (see what I did there?!), and there's a lot of water under the bridge. But it's also a movie I saw so many times between 2008 and 2012 or so that I also have a hard time just slipping back into the movie.
It still has the wildly confusing discussion at the end, that does, in fact, make sense if you squint and go along with the premise of what will, in fact, sway Gothamites to stand with law and order. But it's arguable the film needed to be more clear in the moment. Clearly, Nolan's capable of that messaging - because he really, really sticks the landing on "actually, people aren't murderous trash, Joker, you dick." But that last scene really scrambles on the whole "Batman went on a murderous rampage, not Harvey" bit so that they make Harvey the symbol of justice as a martyred hero.
It's an odd bit of legacy that the Joker is seen as a "mad dog chasing a car". He's clearly not that at all in this movie, but we take what people say in movies at face value instead of literally all of the evidence piling up. He says he's no schemer, but he intentionally gets arrested and sews a bomb into someone's stomach so he can get to the guy in the holding cell in the middle of police headquarters. I mean, that's... wildly more interesting than Jared Leto's dipshit with the face tattoos.
But, man, is some of the dialog in this movie clunky. It's people speaking in trailer quotes and ensuring that their reason for existing as part of this iconography is clearly understood. Some of it works, but, you have to let yourself sink into the fact that this is a modern myth and not someone's attempt at realism. We're conveying *ideas* here, not worrying about Batman's inner-life.
Also - man, does the Batmask not work. I don't know who decided it's essentially a fake nose, but it is. And in close-up, it looks insane and makes Bale's very normal mouth look very not normal. Paired with the Bat-voice, it's a lot.
 |
| "maybe I don't want to breathe through my nose..." |
Despite all this, Ledger's performance is one for the ages. That's not news. I should really watch that Joaquin Phoenix movie sometime, because I expected it might suffer by comparison, but apparently did not. Who knew this guy would become Oscar bait?
Boner.
heh.
Anyway, I still like the movie. It's not aged into a curiosity quite yet, and it still has massive impact on superhero cinema. If you look at the myth-building and argument of ethical models as the story, I'm not sure it's been topped. After all, we're still crawling out from the DCEU that was formed in its image and from a WB who learned all the wrong lessons from this movie's success. But it also was part of that 2008 one-two punch for a reason.
All that said, I do hope the new Batman movie series and whatever happens with Bats in the Gunn-driven DCU work out.
I'm still blown away we got what we got out of these films. And I am sure in a few years I'll be back here defending The Dark Knight Rises.
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