Noir Watch: I Love Trouble (1948)

Watched:  05/12/2021

Format:  TCM Film Fest

Viewing:  First

Decade:  1940's

Director:   S. Sylvan Simon

I'd actually had a bit of trouble tracking down I Love Trouble (1948), a film I'd seen often referenced in writing about noir, but it just never crossed my path.  I've seen reference to the film being lost for a few decades, but TCM was able to air it as part of the 2021 TCMFF.  Honestly - the print is not great, but I've seen worse.  

The plot itself is a windy murder mystery and from the same school as a Chandler mystery, but with more than a hint of Hammett.  The cast is headlined by Franchot Tone, a guy who was a bug movie star at one point, but I tend to know as "that guy who was married to Joan Crawford in the 1930's"*.  

I absolutely cannot talk about the plot without spoiling the movie - other than it's very much a quality gumshoe caper with all the trimmings.  Tone as our shamus is actually rock solid here.  I liked what he did as "Stuart Bailey" - an enjoyable riff on a familiar sort of tune, and playing the fast-talking PI with the moral code working his way through the underbelly of society.  

He's joined by a bunch of actors you've likely never heard of - although noiristas will remember Janis Carter from Night Editor, Adele Jergens from Armored Car Robbery, Glenda Farrell from Little Caesar, Steven Geray from Gilda, and Tom Powers from... everything.  

I'd love to see this one again sometime to enjoy watching it work rather than keeping up with details of the mystery.  

*I mean, well done sir

Watch Party Watch: Space Truckers (1996)

 

Watched:  05/11/2021

Format:  Amazon Watch Party

Viewing:  First (complete viewing)

Decade:  oh, so 1990's

Director:  Stuart Gordon

Way back around 2001 or 2002, one day I noticed a movie called Space Truckers (1996) was showing on HBO.  If you've been hanging around this blog since 2003, then you know:  I immediately tuned over and caught something like 30 minutes of it.

I was shocked to see name actors Stephen Dorff, Dennis Hopper and Debi Mazar in what appeared to be a mid-budget sci-fi comedy that I'd never heard of, galivanting around space in a long-haul space-truck.

80's Watch: Fletch (1985)

Watched:  05/11/2021

Format:  Amazon Streaming

Viewing:  unknown

Decade:  1980's

Director:  Michael Ritchie

I mean, it's Fletch (1985).  

I think eventually we're supposed to do this on the podcast, so I'll hold thoughts til then.

Noir Watch: The Won't Believe Me (1947)

Watched:  05/08/2021

Format:  TCM Film Fest 

Viewing:  Second

Decade:  1940's

Director:   Irving Pichel

I actually watched a cut of this film fairly recently (just in October), so I'm not inclined to write this up again.  What I will say is that this was a more fully restored cut with several extra minutes that fleshed out the characters and whatnot.  And - as happens often - while I certainly liked it the first time, I enjoyed the film even more on a second go-round, which confirmed my feelings on it from the first viewing.  

Honestly, I thought the movie flew by at the extended 95 minutes from 80 and I figure this is the cut I'll reach for if I'm watching the film again.  

Watch Party Watch: The Apple (1980) - @#$% this movie

Watched:  05/07/2021

Format:  Amazon Watch Party

Viewing:  First (and last)

Decade:  1980's

Director:  Menahem Golan

Well, I've now seen The Apple (1980), the sci-fi, near-future dystopian musical religious and political allegory.  And while watching, this is roughly how I felt:

PODCAST: Amadeus (1984) - a Signal Watch Canon Episode w/ Alfredo and Ryan

Watched:  05/03/2021

Format:  Amazon Streaming

Viewing:  Unknown

Decade:  1980's

Director:  Milos Foman

For more ways to listen

Alfredo returns to discuss a movie that goes way back to make a household name a lot more understandable to us modern folk. It's a fabricated fantasia of a biopic about two guys with very different skill levels at their jobs, competition in the workplace, and what happens when you get notes on too many notes. Join Alfredo and Ryan as we take on a cinema classic, and get a little classical ourselves.

The Signal Watch PodCast · 147: "Amadeus" (1984) - a Signal Watch Canon episode w/ Alfredo and Ryan

Music:  

Written by WA Mozart, scored by Neville Mariner, performed by St. Martin in the Fields

Symphony No. 25 in G Minor. K. 183 & Requiem Confutatis

Rock me Amadeus - Falco, Falco 3

Signal Watch Canon:

The Signal Watch PodCast · The Signal Watch Canon

Doc Watch: The Last Blockbuster (2020)

Watched:  05/08/2021

Format:  Netflix

Viewing:  First

Decade:  2020's

This one was kind of weird.  And this post is mostly about how much I hated Blockbuster and didn't care when it folded.

Look, by the time Blockbuster Video went out of business, I'd intentionally not gone of my own free will into a Blockbuster in 10 years and had pretty much broken with Blockbuster as far back as the mid 1990's.  

So, a feature length doc talking about the death of Blockbuster as some sort of tragedy that was just an accident but something we all loved?  I was pausing the movie and making Jamie listen to me as I debated the film's non-stop nostalgia and love of the corporate behemoth, which - starting in the summer of 1994, I saw as actually very bad for movies when I tried to rent Breakfast at Tiffany's and (a) the clerk had never heard of it, and (b) looked it up and explained to me they used to have it, but they got rid of it.  But they did have 45 copies of Pauly Shore in Son In Law.  

Like, you don't have to be a snob to find that a little sad.

Neo-Noir Watch: The Grifters (1990)

Watched:  05/08/2021

Format:  Amazon Streaming

Viewing:  First

Decade:  1990's

Director:  Stephen Frears

Just in time for Mother's Day I finally (finally!) watched the 1990 film, The Grifters.

SPOILERS