Watched: 12/18/2020
Format: Amazon Watch Party
Viewing: Unknown
Decade: 1940's
Director: Robert Montgomery
I've written this up plenty. And podcasted it. No need to do so again.
Film. Comics. Sci-Fi. Superheroes. Pulp. Noir. History. Superman. 20th Century Archaeology.
Saturday, December 19, 2020
Wednesday, December 16, 2020
Friday Watch Party: (this one will cost you $2) "Lady in the Lake" from 1947
We figured out that if you rent it, we can all Watch Party it.
This one WILL cost you $2 to participate. I get none of the money.
Day: Friday - 12/17
Time: 8:30 PM Central
For this week's selection, I'm pulling out part of my personal Christmas canon - "Lady in the Lake".
- It's one of very few movies shot entirely from a single character's POV - essentially a videogame perspective, and done in 1947 with those giant cameras
- Based on the novel by Raymond Chandler
- Starring Signal Watch patron saint: Audrey Totter
- It takes place on Christmas
What's not to like?
Holiday Watch: Christmas in Connecticut (1945)
Watched: 12/13/2020
Format: Amazon Streaming
Viewing: Unknown
Decade: 1940's
Director: Peter Godfrey
The other night I was drinking and, as one does, decided what I really wanted to see was Sydney Greenstreet in a movie. And, of course, it is the holiday season - and what better choice than Christmas in Connecticut (1945) when it comes to your Syndey Greenstreet/ Christmas movie viewing needs.
Basically a classic farce (but only with a hint of the bedroom about it), Christmas in Connecticut gets a lot of play, but seems like it never quite makes it into the zeitgeist like a lot of other films - even if it deserves to more than a lot of modern holiday favorites. Genuinely funny with a terrific set-up and everyone on the same page giving sharp, punchy performances - it's got classic comedy chops to spare.
Stanwyck plays a cooking and homelife columnist for a popular "Good Housekeeping" style magazine. She's essentially posing as America's perfect housewife - complete with husband, child and a picturesque farm house, when she's really living the life of a single-gal in the big city. Fortunately, her uncle if a terrific chef and just tells her how he makes his best dishes, and she adds the purple prose.
But her pushy publisher (Greenstreet) is sent an idea for a promotion - the famous guru should take in a hero sailor (the movie is WWII contemporaneous) and show him true American hospitality. But, of course, she can't do it - so she fakes it.
People are in and out of doors, people hidden from one another, and Una O'Connor plays the domestic not in on the shenanigans. And - while faking a marriage she's actually dodging to a bore of a man (who owns the farm), Stanwyck meets the sailor in question and the smittening is mutual.
It's a terrific film - perfect for a comedy about the holiday that doesn't take it too seriously. And, of course, Sydeny Greenstreet is brilliant. As always.
Tuesday, December 15, 2020
Happy Birthday to Helen Slater
Today is the birthday of Helen Slater, famous around these parts for playing Kara in Supergirl, as well as Lara on Smallville and Eliza Danvers on the CW show Supergirl. She also starred in The Legend of Billy Jean, City Slickers, Ruthless People, The Secret of My Success, and has appeared in numerous shows, including the final episodes of Mad Men. In addition, she loaned her voice to DC Superhero Girls as Martha Kent and Batman: The Animated Series as Talia al Ghul.
If you didn't know, she's also cut a few records (she's pretty great!), and continues on her trend of being terribly crush-worthy.
Monday, December 14, 2020
PODCAST: "A Muppet Christmas Carol" (1992) - a Xmas Genre Xrossover w/ Stuart & Ryan
Watched: 11/29/2020
Format: Disney+
Viewing: Unknown
Decade: 1990's
Director: Brian Henson
Music - Muppet Christmas Carol OST
Scrooge - Paul Williams
When Love is Gone - Paul Williams
Playlist - Xmas Genre Xrossover 2020
Watch Party Watch: Blood Beat (1983)
Watched: 12/11/2020
Format: Amazon Watch Party
Viewing: First
Decade: 1980's
Director: Fabrice-Ange Zaphiratos
Sometimes you watch a movie that is so off the rails, the batshit-ness gains its own power.
I *think* I basically get what occurred during Bloodbeat (aka: Blood Beat) (1983), but I am willing to hear any interpretation of events which unfold in the film.
A woman living in rural Wisconsin welcomes home her kids from college for Christmas. Her son has brought his girlfriend, unannounced. NBD, but the mom is also on the skids with her rednecky live-in boyfriend, and she's a painter and psychic. Sort of. And she gets a weird vibe from the girlfriend.
The girlfriend also hits a psychic tripwire upon arriving, so... They all go hunting. The girlfriend does not like.
A samurai ghost shows up when the girlfriend is sexually aroused. And the sister seems unable to get an outfit together that makes any sense.
Anyway - the samurai ghost kills the neighbors who try to put too many things on a waterbed.
There's a psychic battle, stock footage of nuclear blasts, and some light nudity. It all feels like a one off issue of X-Men circa 1984.
I genuinely enjoyed this thing. DIdn't know where it was going from moment to moment, and was both just confusing and concrete enough to stick with for the 90 minute runtime. Not a technical marvel, but it had a certain je ne sais quoi.
Merry Christmas.
Sunday, December 13, 2020
Watch Party Watch: "I, The Jury" (1953)
Format: Amazon Watch Party
Viewing: First
Decade: 1950's
Director: Harry Essex
There was a time before Mickey Spillane was a name everyone kind of knew, and before Mike Hammer books had been adapted by major studios. I, the Jury is one of the first Hammer books, released in 1947. This poverty row movie adaptation came out in 1953 - and it really isn't like anything else coming out at the time.
Yeah, the acting in this film wasn't going to threaten the usual Oscar contenders, and at first blush, there's a lot of what you might have seen in a Marlowe mystery - but (a) this case starts personal and finishes even more so for our detective, and (b) this detective is going to punch his way through the mystery.
Where Marlowe tries to keep his cool, often over the top of rage whichs pills over, Hammer starts at a ten and goes up from there. When your mystery starts with a dead best friend and you're on the trail through a bunch of weirdos - any of whom could have done it - I guess I can see how you'd be testy.
Star Biff Elliot who plays Hammer is a curious choice. He's not the stringest actor and his decision to go "angry" in every scene means that there's nowhere to go, really. He blasts into the frame the first time we see him, and barges into every room thereafter - so we don't ever really see him in any other state. And anger is an easy go-to for actors, but it's hard to maintain.
The rest of the cast is actually pretty solid. Peggie Castle as a love interest/ psychologist and Margaret Sheridan as Velda are both pretty great. And Frances Osborne - who I'd only seen elsewhere in Murder By Contract - was very good as the mourning girlfriend of the murder victim.
I discussed Spillane's semi-controversial place in crime-fiction, and this movie doesn't do much to dismiss the notion. It's got as gritty a crime and violence angle, adjacent to overt sexuality as anything I can think of from this era - but still coded deeply enough that it was going to fly past the censors. But, man, that ending is something else for the era.
The film was shot by John Alton, who always makes any picture look far better than it has a right to look - and I'd argue this movie had a huge impact on Frank Miller and his Sin City look and feel, from the deep shadow and windy mystery to the cinch in Hammer's raincoat.
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