Watched: 12/24/2019
Format: Rifftrax
Viewing: God. Too many.
Decade: 1980's
For longtime readers of the League of Melbotis and Signal Watch blogs, you will know that the 1987 sci-fi opus, R.O.T.O.R., holds a special place in my heart. I first stumbled across the movie on late-night basic cable, and every few years I revisit the film, and, like any fine piece of art, find new things to appreciate and enjoy.
This Christmas Eve, Doug and I chose to punish ourselves by re-watching this movie, but this viewing was enhanced with the power of RiffTrax, some of the same fine fellows who you may know from their work on Mystery Science Theater 3000. And, I am, of course delighted to have the help as I'm watching the movie.
Look, I love a movie that leads to more questions than answers as the thing plugs along, and that's ROTOR in a nutshell. The movie is a phenomenal collection of odd-ball movie cliches, dialog tics, generic Texas racism, inevitable dashes of pretension, unexplored but tedious romance, and 1980's non-union talent. The plotting/ pacing is wild, and an amazingly inept filmmaking on a budget. That the movie was finished seems like an act of sheer will and a sort of bright-eyed Hollywood dream backed by nothing but wantin'-to-put-on-a-show that can make for some of the brightest spots in movie-dom.
RoboCop managed to spawn a *lot* of bad knock-offs. It's not actually clear this was one of them as both films came out in 1987. But who knows? There was just something magical in the air of Dallas, where both were shot!, that produced futuristic policing cyborg movies, I guess.
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