PODCAST: "It's a Wonderful Life" (1946) - Episode 2 of Holiday Cinema Series (w/ NathanC and Ryan)

Watched:  12/02/2018
Format:  Horrendous colorized version streaming on Amazon, I believe
Viewing:  Unknown.  Dozens.
Decade:  1940's


NathanC and Ryan take on the big Christmas classic about a guy who meets an angel who deeply improves his Christmas Eve. "It's a Wonderful Life" (1946) is an annual favorite, but it's also a movie that gets pretty dang dark. We take a look and ponder why the film has endured.





Music:
Christmas Time is Here - Vince Guaraldi Trio from A Charlie Brown Christmas
Main Title/ Heaven - Dimitri Tiomkin, It's a Wonderful Life OST
It's a Wonderful Life (finale) - Dimitri Tiomkin, It's a Wonderful Life OST
O Tannenbaum - Vince Guaraldi Trio from A Charlie Brown Christmas

Show Notes:

~29:55 articles on gender and libraries (nowhere near complete on the topic)

• Father of Modern Libraries Was a Serial Sexual Harasser
• The Stereotype Stereotype
• Women's Values, Vision And Culture In The Transformation of American Librarianship, 1890 -- 1920

31:45 Gloria Graham at IMDB


Holiday Cinema Series Playlist

Not a drill! "DANGER: DIABOLIK" now available for streaming on Amazon

ALERT!  Danger: Diabolik is now available streaming in HD on Amazon Prime. 

Now - you can watch this movie ANY TIME, and 2018 has finally redeemed itself.

Well, that and Giant Cow.

Noir Watch: The Killing (1956)

Watched:  12/02/2018
Viewing:  Unknown.  6th?
Format:  Noir Alley on TCM on DVR
Decade:  1950's

First of all, "The Killing" that occurs in this movie is not an assassination.  It could refer to about five or ten different things, and I suppose that's intentional.  I'd start with "they're gonna make a killing on this heist", but, of course, this is a 1950's-era heist movie, so you know it's not ending in sunshine and flowers.

The Killing (1956) sits on a curious edge when it comes to crime dramas/ noir.  Marking maverick, young filmmaker Stanley Kubrick's first foray into studio-backed cinema, the movie feels part and parcel of the noir movement with a structure and an ending not atypical for a dime-store crime novel, retaining those rough edges that some noir eschewed.  As much as I like The Asphalt Jungle and Rafifi - likely The Killing had more impact and reflects more of where the heist genre would go - especially in American cinema (at least marginally).