Wise Noir Watch: The House on Telegraph Hill (1951)

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Watched: 03/20/2026

Format:  Amazon

Viewing:  Third

Director:  Robert Wise

I saw this one initially with JeniferSF at Noir City at the Castro.  And then gave it another spin just two years ago.  

Based on a stage play (someone should do this one) it's an interesting film that feels like, emotionally, it pulls a bit from Rebecca and a bit from Laura, what with the huge portrait hanging over the hearth that seems to stare back at the cast, a ghost judging everyone.

A Polish refugee (Valentina Cortesa) from a concentration camp steals the identity of her friend - hoping to have a life on the other side of losing everything in the war.  The friend had a rich aunt to whom she'd sent her infant son, but as no one knows what the friend looks like - she figures she could pass.  

However, by the time she makes it to the US to find the relation, the aunt has died and left everything to the boy.  A relation (Richard Basehart) has adopted the boy, and when Cortesa meets Basehart in New York, he decides she's the one for him, and marries her.

Now in San Francisco, there's a nanny for the boy who is just creepy and possessive (think Mrs. Danvers from Rebecca).  And, as a shocker, the kind US Army Major who was helping our hero at the concentration camp shows up - he's a friend of the family and an attorney in SF.  And clearly would gladly be on our hero given the chance.

Anyway - things go very sideways.

SPOILERS

Chuck Norris Merges With The Infinite

Chuck Norris - sometime Texan, internet meme, ace martial artist, actor, star of B-movies and the long running Walker: Texas Ranger - has passed.

Anti-Western Watch: McCabe & Mrs. Miller (1971)

for reasons I don't understand, all of the posters for this movie are bangers

Watched:  03/19/2026

Format:  TCM on DVR

Viewing:  First

Director:  Robert Altman

A much beloved Robert Altman movie that was part of the new Hollywood movement and a "revisionist" Western, I'd long heard this was one to see.  And as a movie that was part of a specific moment in movie history, and a very watchable movie - glad I did.

We're 55 years out from the release of this movie, and the mythology of the expansion of the West carved out in the pulps, dime novels and movies has been exploded endlessly during my lifetime, with very little made to reinforce the supposed white and black hats of the cowboy movies.*

Warren Beatty plays someone who may or may not be named John McCabe, a gambler who is smarter than the dum-dums out at the mining town he stumbles upon, but nowhere near as smart as he believes himself to be.  McCabe sees an opportunity and starts a saloon and brothel.  Out of nowhere, a Mrs. Miller (Julie Christie) appears, offering to run the place for McCabe.  

Happy Birthday, Vanessa Williams

Today is the birthday of singer, actor and the reason I've watched several movies I otherwise would not, Vanessa Williams.  

Here's a video that will take people of a certain age back to a very certain time and place.

Turning Heel: Alamo Drafthouse Decides Movie Watchers Are the Worst

seen seated: the people excited for the direction of Alamo Drafthouse

I am unsure when I first went to The Alamo Drafthouse.  I know it was when it was still on Colorado when downtown Austin's skyline wasn't trying to look like Vancouver or San Diego's younger, dumber cousin.

Viewings I took in there included the OG Planet of the Apes, and Jamie came with me to a pasta dinner for the epic Once Upon a Time in the West where we were served some truly terrible red wine.  There were other movies at this locale, but those stick out.

Later, we went to the South Lamar location when it was in an old Fiesta grocery store, and when The Alamo Drafthouse opened The Ritz on Austin's famed 6th Street, I was a regular there as well.  These days I do the Slaughter Lane location as its near my house, and South Lamar if I'm feeling daffy.

I watched the Alamo institute a "select your seat" option online as people were having to show up earlier and earlier before shows to secure the correct seats - well before other theaters bothered.

During a lengthy run, from when we moved back in 2006 to when I watched Shane at Mueller just before COVID lockdown, I was at the Alamo once or twice a week.  There were regulars - I didn't know their names, but you kind of eyeballed each other and knew who people were.  Hope "Grey T-Shirt Guy" is doing okay (he was at every screening of everything).  

As cell phones and manners have never been humanity's strong suit, The Alamo was a front runner in clearly stating - no.  Not here.  No talking or texting, or you'll be asked to leave.  Without a refund.

The video below ran before movies for years.  Because it worked.  It demonstrated you, who talk and text, are an asshole and we will openly mock you.

Safari Watch: Mogambo (1953)

Gable is just gonna take a peek right there on the poster

Watched:  03/15/2026

Format:  TCM on DVR

Viewing:  First

Director:  John Ford

This is a movie where Clark Gable's dilemma is choosing between Grace Kelly and Ava Gardner and I have never felt less sympathy toward any man in a predicament.  

Mogambo (1953) is a lavish spectacle of a picture, shot on location in multiple African countries, and probably John Ford's answer to The African Queen, which was released in 1951 and won all sorts of Oscars.  Clark Gable plays a 1950's Great White Hunter, now catching live animals for zoos, circuses, etc...  He lives in deep bush country and rarely ventures out (he must really stock up on Brylcream during those trips).  He works with an Englishman he calls "Brownie", and a thug of a Russian, as well as a large coterie of local labor.

Ava Gardner is a nice enough girl from the New York club scene who has come to Gable's jungle headquarters to join a maharajah on safari - but her suitor has already left by the time she arrives.  And they're so far out, the next boat isn't due for a week.  

Gardner and Gable spar a little, but it's also obvious they start having sex.  

She's due to leave on the next boat when a British couple arrives, the husband a well-heeled anthropologist, and Grace Kelly his proper wife.  They want to go into the lowlands and find some gorillas and record audio.*

Horror Watch: Friday the 13th Part VI - Jason Lives (1986)

Watched:  03/13/2026

Format:  Prime

Viewing:  First

Director:  Tom McLoughlin

JAL texted me at the end of the work day on Friday and said "You have to watch Friday the 13th Part VI.  It will make you miss Showplace 6".   

I was more likely to go see Mad Max: Beyond Thunderdome at Showplace 6 than a horror movie during the window he and I were hitting the family owned theater in North Austin, but I get it.  The place was there for us during a crucial period of movie-going.  It was the kind of theater that welcomed kids, did not ask if we were 17 before letting us into Rated-R movies, and always had Spree as an option for candy.

As stated *last* Friday the 13th when we watched the first Friday the 13th movie, these movies were never part of my canon.  I've not really spent time with them.  But after watching two of them, I *do* have a pitch for a new one, which I'll share at the end.*

I guess in the 4th movie, they killed Jason?  Like, fer reals?  Which - this is where I found out Jason wasn't previously a magical kill zombie?  You learn new things all the time.  It seems the fifth movie was about the Corey Feldman character, now played by someone else, becoming the killer?  And that went over like a lead balloon, so they re-cast the character *again*, ignored his murderous tendencies and made him the focal character for this installment as Jason is reborn from a lightning strike (it makes sense in the moment).  

Anyway - rejuvenated and feeling fancy free, Jason spends the day killing everyone he can find in what feels like a highly populated recreational forest area.  I mean, he is just finding new victims hither and yon.  

There's absolutely nothing *scary* in this movie - it's like watching an NES side-scroller play-through of Jason killing people.  But it does have good set pieces, the best of which is the Winnebago stuff.  

But, man, does it look like everyone making this movie is having fun.  Even the prop department.  There's a "well, we tried" fake head that rolls out of a truck.  And someone was very good at a very particular blood splatter pattern we see performed like five times.  

This is the stuff that drove moral crusaders nuts in the 1980's that teens knew was just a good time, and has subsequently been absorbed into the popular consciousness to such a degree *no one bothers to talk about horror movies as being a problem anymore*.  

Is the movie good?  No.  Is it fun?  Yes.  It has no artistic aspirations, and wants to say nothing other than "this goon in a mask will murder you good", and sometimes that's all you need, I guess.  But we're past trying to scare anyone here, just get hoots and hollers from the audience as an assortment of folks are dispatched in a series of creative ways.

It does make me wonder what Jason does during his downtime.

*I think you could make a good Friday the 13th as a sort of Road Runner or Tom and Jerry cartoon, with Jason trying to get Natasha Lyonne as our Final Girl, and there's lots of 4th wall breaking

G Watch: Mothra Vs. Godzilla (1964)

Watched:  03/12/2026

Format:  HBOmax

Viewing:  Unknown

Director:  Ishiro Honda

Ten years after the original stomping of Tokyo, Toho had produced only two more Godzilla movies, but in 1961 had introduced Mothra and all of the crazy mythology around our big, buggy friend.  

Worth nothing, one of the two sequels to the original Godzilla was King Kong vs. Godzilla and I would guess Toho looked at the big ol' Mothra puppet they still owned, knew that two monsters were better than one, and said "heck - we don't need to license the ape anymore.  We have... a moth!"  

I've seen this one a few times, but felt the need for some old-school Showa-era action, and so put it on once more.  It's got a lot of things I dig.  

• Godzilla
• Mothra
• the Faeries
• Infant Island
• a snappy wardrobe for our female lead
• men with absolutely immaculate hair

It's also very suspicious of both venture capitalists and shady businessmen.  And, conniving public officials with an eye for the camera.  The more things change.

When a giant egg shows up in a local bay, it's sold to an amusement park empresario who wants to make it the centerpiece of his newest park (he seems wholly unconcerned that eggs hatch, even four story eggs).  The Faeries arrive from Infant Island and recruit reporter Ichiro Sakai and his photographer sidekick Junko Nakanishi along with scientist Professor Miura to help them get the egg back from the evil businessmen.

In a scene I think is pretty cool, Godzilla emerges from the sand of a reclaimed beach, and starts his stomping across Tokyo, seemingly looking for the egg.  

Turns out Humanity needs the help of the people of Infant Island to convince Mothra to help out, but the island was just used for nuclear testing.

While, yes, this is a movie that ends with a battle between Godzilla and two giant moth larvae, it still has some interesting themes - from the ripples of destruction sewn by naked greed to man's wastefulness and arrogance.  Mothra, who has seen her island nuked by humans, who then stole her agg/ children - is STILL willing to step in and save humanity while the spirit of reckoning in the form of Godzilla is here to wipe the slate clean.

Also, you get treated to a very, very long version of the Mothra carol.

Western Wise Watch: Two Flags West (1950)

Watched:  03/08/2026

Format:  YouTube link here

Viewing:  First

Director:  Robert Wise

Interesting premise for a film, and, in my opinion - very well executed.  

In 1864, Joseph Cotten is a captured Confederate infantry officer.  Cornel Wilde plays a wounded Union officer who won't be sent back to the front line, but which the Army of the Republic will send to the frontier.  Lincoln is offering Confederate prisoners an opportunity to join the Union Army and go protect the mail routes and interests on the US, freeing up the regular soldiers to fight in the war.  And, so Wilde recruits Cotten and his regiment, which Cotten does so he won't die or disease in a frigid Illinois prison.

Arrived, we find the Fort is headed by a semi-crippled officer, Major Henry Kenniston (Jeff Chandler).  Kenniston's brother was killed during a major battle, widowing Linda Darnell.  Darnell plays a Californian/ former-Mexican (playing Hispanic was something she did in a couple of movies, it seems) and is the object of desire for Wilde, Chandler and maybe a bit for Cotten.  She is, after all, Linda Darnell.  

Chandler's officer has a bit of a Kurtz/ Ahab vibe.  His leg is not what it was, and he has a mad-on for anyone who isn't a union soldier.  Also, he is maybe lightly holding his sister-in-law at the Fort despite her wish to get to California.  The "I hate everyone" bit is a bad fit for the arriving ex-Confederates.  And the Natives outside the Fort, with whom he is developing beef.

Australian Neo-Noir Watch: The Dry (2020)

Watched:  03/05/2026

Format:  Hulu

Viewing:  First

Director:  Robert Connolly

A while back, for various reasons, Jamie and I both read the novel The Dry. It was a big seller in Australia, where it was written and takes place.  And made its way here where I think it's done well.  

I asked for some downtime before I watched the inevitable movie adaptation so I could try to see it with fresh eyes, and hadn't honestly, thought about the book much since I read it.  It's fine!  Go read it.  But I think Jamie saw it starred Eric Bana and was happy to watch - and, anyhoo... here we are.

In the way of movies adapting popular books - the movie is largely a straight adaptation with some extraneous bits knocked off and some efficiencies found in storytelling.  But the film really does capture the mood of the novel, and as Jamie and I agreed, it looks more or less exactly how I saw it in my mind's eye.  Bleak, oppressive - a murder mystery in sun-scorched rural Australia.