Watched: 11/7/2024
Format: Criterion
Viewing: First
Director: John Gilling
It's Noirvember, so I'm trying to get a few of ye olde Noir films in. Luckily, Criterion is here to offer up the goods with three separate categories of noir. I got lazy and picked the category "Columbia Noir" which includes some Brit Noir.
I will be 100% honest and say, I was just like "Victor Mature. Sounds good." I knew nothing about this movie until the credits started crawling by. Had I seen the poster, I would have known THIS IS A PICTURE ABOUT DOPE! I might also have noticed this is European film - and, in fact, a pretty British film. Directed by a Brit and produced by one of the Bond-famous Brocolis (Cubby) and Irving Allen, who worked in both England and the US.
The cast is anchored by Victor Mature, who looks mildly upset the whole time, but who has no character to work with or speak of. He's just the relentless hero. I assume this movie really got in the way of his European golfing vacation.
Anita Ekberg plays The Dame, and is... fine? If you wonder what the big deal was with Ekberg and why you've heard her name, his movie is a pretty good argument for why. Lastly, the movie stars Trevor Howard, who was in sort of everything - but Superman nerds will flip out realizing this is the guy who told Jor-El to be reasonable in Superman while the planet was set to explode.
And Trevor Howard is *great* in this as a mastermind drug kingpin. Reviews at the time mostly agree.
What surprised me watching this, with the name Broccoli floating around in my head, is that there's certainly some Bond DNA here. It's very light, but it's about a relentless government fellow pursuing an established mastermind across Europe, treating each place as an exotic locale and the locals as scenery. There's, of course, a beautiful woman wrapped up with our villain who is doing his dirty work and doesn't like it.
It's not a 1:1, but once the idea is in your head, it's hard to shake.
The idea is: Mature's sister was about to finger Trevor Howard for the NYPD when he figured it out and killed her. Since, Mature's been a mad-bull on the streets hoping to punch his way to the mysterious McNally. They get a lead and he's sent to England to work with InterPol (the International Police, not the band). Shenanigans happen and Mature and Co. get Ekberg's fingerprints and begin tracking her to get to Howard. Soon, they're in Lisbon. Then in Rome. Then Athens. It's sort of one long, continent-wide chase.
It's not a great movie, but it gets the job done. Lots of action, some amazing locations, camera work, and a score that does tons of heavy lifting.
It is noir? Sort of. Close enough.
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